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Enregistrement W4210717344 · doi:10.1353/nin.2021.0014

Play Ball: Representations of Women on Vintage Baseball Photo Postcards

2021· article· en· W4210717344 sur OpenAlexvenueno aff
Cathy Leogrande, B. Sheehy

Notice bibliographique

RevueNine · 2021
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueAmerican Sports and Literature
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésRomanceComicsPerceptionContext (archaeology)ClothingTerminologyPsychologyVisual artsHistoryArtLiteratureLinguistics

Résumé

récupéré en direct d'OpenAlex

Play BallRepresentations of Women on Vintage Baseball Photo Postcards Cathy Leogrande (bio) and Brian Sheehy (bio) Much has been written about the depictions of baseball on various print materials of the late nineteenth and early twentieth centuries. From game programs to early tobacco and trade cards, baseball action and players were depicted in drawings and photographs. Among items produced between 1905 to 1915 were suggestive and comic photo postcards depicting men and women in baseball uniforms posed in romantic scenes with suggestive captions using baseball terminology. These cards were produced at a time when societal norms and gender roles were changing. This article describes some of the themes that emerge from a closer analysis of the postcards given the historical context within which they were produced, sold, and collected. Baseball was becoming a common love for men and women in the early twentieth century. Using baseball in these postcards seemed to diffuse the polarization of changing gender norms through humor. Some of the cards could be viewed as supportive of that change while other cards used humor to mock or demean the ever-changing gender landscape. Baseball provided a common language that could be used metaphorically to illustrate those changes in a gentler and more humorous way. The following descriptions of these items documents the conflicting perceptions of women and the sport itself. Analysis of these littleknown baseball artifacts provides a glimpse into the beginnings of changes in perceptions of men, women, and their relationships at the beginning of the twentieth century. early twentieth century: the new woman looks and acts differently The turn of the century was a time in which society in all aspects of life, both in Europe and America, was changing. The Victorian Age in England had ended with Queen Victoria's death in 1901, and societal norms were evolving. [End Page 163] Everything from clothing styles to acceptable behavior had already begun to shift as the Edwardian age began. The role of women was one of the areas that saw the most radical changes. From traditional demure wives and daughters who remained at home pursuing activities such as gardening and needlework, women were now less interested in marriage and raising a family and more open to education and employment. Three areas of reform provide context for examining the baseball postcards described here. First, women became independent and were able to act as they chose rather than as society expected. Sanctions that previously kept many young women mired in tradition were less effective in maintaining females who were demure and quiet out of fear of scandal. Second, clothing changed dramatically as women began working and taking part in athletic leisure activities. Third, American attitudes toward sex began to change through education and other efforts such as the social hygiene movement. The effects of these three reform movements are all observable in the baseball postcards published in the early twentieth century. In 1894, Sarah Grand used the term "New Woman" in describing how men, along with society as a whole, would benefit from an active, thinking woman.1 The New Woman was generally perceived to be young, single by choice, and one who supported herself by working. She practiced emancipated behaviors such as smoking and traveling unescorted on public transportation.2 At the same time suffragettes were beginning the fight for voting rights, many women began seeking greater opportunities outside their homes and outside the control of their fathers or husbands. Some viewed this change as positive, proposing that an independent woman who thought and acted for herself would make the world a better place. Others saw this as a disaster in the making as mannish, child-hating females degraded the social order and caused irreparable harm to all. Despite these divergent perspectives, the New Woman was here to stay and, admired or despised, she remained a force for change.3 New ideas were mirrored in appearance and behavior. Women were no longer "exquisite slaves," constantly reminded that their morals needed to be as tight as their corsets.4 Dressing differently was a symbol of the new possibilities to think and act differently. Fashion became more functional. Looser-fitting clothing that provided ease of movement as...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,000
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesCharge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Autre · Signal consensuel: aucune
Score de désaccord entre enseignants0,462
Score d'incertitude au seuil0,764

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0000,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,2370,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,011
Tête enseignante GPT0,237
Écart entre enseignants0,226 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreAutre

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2021
Routes d'admission1
Résumé présentoui

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