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Enregistrement W4210718514 · doi:10.1353/nin.2021.0002

How Hammerin' Hank Greenberg Inspired RBG

2021· article· en· W4210718514 sur OpenAlex
A. J. Kempner

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venuePublié dans une revue dont le pays d'attache est le Canada.
no affAucune affiliation canadienne : ce travail est invisible pour une base fondée sur la seule affiliation.
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Notice bibliographique

RevueNine · 2021
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueJewish and Middle Eastern Studies
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésHonorBrotherJudaismCharacter (mathematics)Art historyHistoryArtSociologyTheologyPhilosophy

Résumé

récupéré en direct d'OpenAlex

How Hammerin' Hank Greenberg Inspired RBG Aviva Kempner (bio) For many American Jews observing Yom Kippur, the Day of Atonement creates a challenge at our workplaces. Usually, the dilemma is whether we can arrange to take the day off to attend services. One of the most famous American stories exemplifying this choice occurred in 1934 when Jewish slugger Hank Greenberg, at the tender age of twenty-three, chose to honor his parents and observe the holiday. The much-needed home-run hitter went to synagogue instead of Tiger Stadium during a tense pennant race in Detroit, a city noted for its anti-Semitism in the 1930s. My father would retell this story of Greenberg's courageous decision every Yom Kippur when he drove my brother and me to synagogue. We heard this story so often that I grew up thinking Hank Greenberg was part of Yom Kippur's opening Kol Nidre services. In 2007, I interviewed Justice Ruth Bader Ginsburg for a documentary I was making on the radio and television pioneer Gertrude Berg. She shared how the Molly Goldberg character and her creator were impressive female role models for her as a young girl listening to the radio show with her family in Brooklyn. As I had previously made a documentary about Hank Greenberg, I decided to also ask whether she had any issues in observing Yom Kippur while sitting on the Supreme Court. I was so pleased when Ginsburg answered by bringing up Greenberg as her inspiration for how to treat the holiday. As Justice Ginsburg described it, "The question of Yom Kippur and what to do about it was an issue at the Court when I was a new justice. The situation was different from what it was for Hank Greenberg. Hank Greenberg exercised a personal choice, but the game went on."1 Ginsburg admitted that for her and Justice Stephen Breyer, who is also Jewish, the game could have gone on. "The question was not whether I would sit, or Justice Breyer would sit. The court could go on and we could participate because we could listen to the arguments on tapes." Ginsburg then described why they went one step further if the Court was scheduled to meet on Yom Kippur. She said: [End Page 47] The reason Justice Breyer and I persuaded our colleagues that no one should sit, that the game should not go on, the argument should not go on, is that many of the lawyers who were scheduled to appear in cases on that day, would be put to a terrible choice, and it was thinking about not ourselves, but the people who come to plead before the court, they shouldn't be put to that kind of choice. Ginsburg concluded by explaining why they used the Greenberg example: We referred to him because everyone knew who he was, he was such a great ball player, as someone who couldn't betray his conscience in that way. And comparing his situation to the situation of the lawyers who would argue before us I think was effective. On that day of filming at the Supreme Court, I was thrilled to learn that the courageous stand of a 1930s American Jewish hero on the baseball field had inspired my modern-day Jewish heroine on the Supreme Court. Aviva Kempner aviva kempner is a filmmaker in Washington, DC. Her films include The Life and Times of Hank Greenberg, which earned a Peabody Award, and The Spy Behind Home Plate, about catcher and OSS spy Moe Berg. Her latest project is Imagining the Indians, a documentary about the movement to remove Native American names, logos, and mascots from the world of sports and beyond. note 1. The Life and Times of Hank Greenberg, directed by Aviva Kempner (1998; Washington DC: Ciesla Foundation, 1998), DVD with Bonus Features. Copyright © 2022 University of Nebraska Press

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,000
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Autre · Signal consensuel: aucune
Score de désaccord entre enseignants0,938
Score d'incertitude au seuil0,835

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0000,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0000,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,039
Tête enseignante GPT0,281
Écart entre enseignants0,242 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle