Notice bibliographique
Résumé
Artist Statement Edgar Arceneaux (bio) My drawings, sculptures, and installations address topics ranging from cultural conventions to urban blight. For the last several years, I have been making work in response to urban struggles in Detroit, Michigan. As the historic location of one of the largest race riots in this country, and more recently as a symbol of economic decline, Detroit serves as a focal point for understanding how macroscopic social and economic forces overwhelm and fundamentally change the lives of individual people. By drawing comparisons between this very specific location and historical time to earlier epochs of Western civilizations, my work forms historical connections between different moments that reveal truths about modern reality, attesting both to its transitional nature as to its primitive stage. [End Page 929] Click for larger view View full resolution Edgar Arceneaux, Blind Pig #6 (2011) Acrylic and graphite on paper (60” x 72”) Photographed by Robert Wedemeyer Courtesy of Susanne Vielmetter Los Angeles Projects Click for larger view View full resolution Edgar Arceneaux, American Natural History (2009) Acrylic and graphite on paper (60” x 91”) Photographed by Lutz Bertram Courtesy of Susanne Vielmetter Los Angeles Projects [End Page 930] Click for larger view View full resolution Edgar Arceneaux, Untitled (2004) Colored paper, tape, and pencil on frosted vellum (41 ½” x 42”) [End Page 931] Click for larger view View full resolution Edgar Arceneaux, Dragged Mass as Allegory (2009) Acrylic and graphite on paper (63” x 91”) Photographed by Lutz Bertram Courtesy of Susanne Vielmetter Los Angeles Projects [End Page 932] Edgar Arceneaux EDGAR ARCENEAUX, born in 1972, lives and works in Los Angeles, CA. In 1996, he received the BFA from Art Center College of Design, Pasadena, CA, and the MFA from California Institute of the Arts, Valencia, CA, in 2001, having also studied (2000-2001) at Fachhochschule Aachen, Aachen, Germany. Solo and group exhibitions of his work have appeared in museums, galleries, and other art venues in Berlin, Moscow, Detroit, New York, Paris, San Francisco, Oslo, Basel, London, Rotterdam, Prague, Los Angeles, Montréal, Edinburgh, Sydney, Warsaw, São Paulo, Tel Aviv, Chicago, Reykjavik, and many other major cities. He has received various forms of recognition for his work as an artist—e.g., REDCAT Award, REDCAT, Los Angeles, CA; the Rauschenberg Residency, Robert Rauschenberg Foundation, Captiva, FL; United States Artists Fellowship, United States Artists, Los Angeles, CA; Creative Capital Grant, New York, NY; Joyce Award, The Joyce Foundation, Chicago, IL; and the William H. Johnson Award, the William H. Johnson Foundation for the Arts, Los Angeles, CA. Jeffrey Kastner has asserted that Arceneaux’s “conceptual program uncovers meaning in unexpected adjacencies and sees beauty in tangential leaps. The artist’s practice takes advantage not only of his intellectual restlessness but also his wide-ranging technical adroitness, a mix of multidisciplinary skills—including drawing, photography, sculpture, and filmmaking—that figure into the unorthodox installation scenarios he has developed and refined over the last decade.” Copyright © 2014 The Johns Hopkins University Press
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,002 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».