Index to Volume 111: Papers of the Bibliographical Society of America

Previous article FreeIndex to Volume 111: Papers of the Bibliographical Society of AmericaPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreSubject entries, whether topical, personal name, or geographical, are set in small capitals. A chronological approach is provided under chronological references. Geographical entries are made for all articles, notes, and reviews treating a subject that can be localized.abolitionism: Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” 513–45abridgement: Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” 1–30Adams, Brittany, review of Eckhardt and Starza Smith, Manuscript Miscellanies in Early Modern England, 103–106american anti-slavery society: Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” 513–45americas, the: Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” 203–20analytical bibliography: Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101annotation: Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” 445–68; Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” 287–315arber, edward: Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, 379–406archives: Ortega, Élika, review of Earhart, Traces of the Old, Uses of the New: The Emergence of Digital Literary Studies, 424–27Armstrong, Lillian, La xilografia nel libro italiano del Quattrocento: un percorso tra gli incunaboli del Seminario Vescovile di Padova, reviewed, 422–23artists’ books: Vincler, John, review of Bury, Artists’ Books: The Book as a Work of Art 1963–2000, 427–31autograph collecting: Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” 203–20ball, charles: Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” 513–45ballads: Stoker, David, “The Later Years of the Cheap Repository,” 317–44Baron, Sabrina Alcorn, review of Bayman, Thomas Dekker and the Culture of Pamphleteering in Early Modern England, 255–56bayerische staatsbibliothek: Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” 345–77Bayman, Anna, Thomas Dekker and the Cuture of Pamphleteering in Early Modern England, reviewed, 255–56beaumont, francis: Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” 287–315bibliographical indexes, catalogues, and lists: Dunne, Derek, review of Freeman, Bibliotheca Fictiva: A Collection of Books & Manuscripts Relating to Literary Forgery, 263–67; Gehl, Paul F., review of Reynolds, A Catalogue of the Manuscripts in the Library at Holkham Hall, vol. 1: Manuscripts from Italy to 1500, part 1: Shelfmarks 1–399, 107–9; Vincler, John, review of Bury, Artists’ Books: The Book as a Work of Art 1963–2000, 427–31Bibliographical Society of America 2017 Annual Meeting Minutes, Reports, and Society By-Laws, 549–78“bibliotheca universalis”: Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” 445–68blagden, cyprian: Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, 379–406Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” 445–68Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; The Stationers’ Company and the Printers of London, 1501–1557, reviewed, 379–406bodleian library: Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” 287–315book auctions: Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” 345–77book collecting: Samuels Lasner, Mark, “A Collector Reflects on Provenance,” 241–53; Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” 287–315book history: Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” 31–60; Stoker, David, “The Later Years of the Cheap Repository,” 317–44book trade: Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” 31–60; Milevski, Robert J., review of Garlock, Canadian Binders’ Tickets and Booksellers’ Labels, 109–116bookbinding: Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” 143–65; Milevski, Robert J., review of Garlock, Canadian Binders’ Tickets and Booksellers’ Labels, 109–116bookplates: Samuels Lasner, Mark, “A Collector Reflects on Provenance,” 241–53booksellers: Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” 345–77bookshops: Wilson, Nicola, review of Osborne, The Rise of the Modernist Bookshop: Books and the Commerce of Culture in the Twenteith Century, 267–70Bourus, Terri, Young Shakespeare’s Young Hamlet, reviewed, 257–63bowers, fredson: Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” 287–315Brewer, David A., review of Loveman, Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703, 415–19Bristow, John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” 221–40brome, alexander: Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” 469–89brome, richard: Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” 469–89bullen, a. h.: Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” 287–315Burrows, Ian, review of Bourus, Young Shakespeare’s Young Hamlet, 257–63; review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, 257–63Bury, Stephen, Artists’ Books: The Book as a Work of Art 1963–2000, reviewed, 427–31butter, nathaniel: Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101caesar, “commentaries”: Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” 1–30canada: McEvilla, Joshua J., review of Dair, Epistles to the Torontonians, With Articles from Canadian Printer & Publisher, 271–74; Milevski, Robert J., review of Garlock, Canadian Binders’ Tickets and Booksellers’ Labels, 109–116Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84cartwright, william: Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” 469–89cataloguing: Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” 445–68; Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” 143–65; Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” 345–77catesby, mark: Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” 1–30chaucer, geoffrey: Skinner, Julia, review of Kerby-Fulton, Thompson, and Baechle, eds., New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall, 120–122cheap repository, the: Stoker, David, “The Later Years of the Cheap Repository,” 317–44chicano/a literature: Noorda, Rachel, review of Martín-Rodríguez, ed., With a Book in Their Hands: Chicano/a Readers and Readerships Across the Centuries, 117–120chisolm, colin: Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, 491–511chronological references:Medieval: Skinner, Julia, review of Kerby-Fulton, Thompson, and Baechle, eds., New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall, Gehl, review of La xilografia nel libro italiano del Quattrocento: un percorso tra gli incunaboli del Seminario Vescovile di Padova, Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” 445–68; Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, Gehl, Paul F., review of Reynolds, A Catalogue of the Manuscripts in the Library at Holkham Hall, vol. 1: Manuscripts from Italy to 1500, part 1: Shelfmarks 1–399, Brittany, review of Eckhardt and Starza Smith, Manuscript Miscellanies in Early Modern England, Sabrina Alcorn, review of Bayman, Thomas Dekker and the Culture of Pamphleteering in Early Modern England, Ian, review of Bourus, Young Shakespeare’s Young Hamlet, 257–63; review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; David A., review of Loveman, Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703, Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” review of and Early Modern Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” 31–60; Stoker, David, “The Later Years of the Cheap Repository,” Ian, review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, 257–63; for the The and of Book Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; McEvilla, Joshua J., review of Dair, Epistles to the Torontonians, With Articles from Canadian Printer & Publisher, 271–74; Milevski, Robert J., review of Garlock, Canadian Binders’ Tickets and Booksellers’ Labels, Noorda, Rachel, review of Martín-Rodríguez, ed., With a Book in Their Hands: Chicano/a Readers and Readerships Across the Centuries, Vincler, John, review of Bury, Artists’ Books: The Book as a Work of Art 1963–2000, Wilson, Nicola, review of Osborne, The Rise of the Modernist Bookshop: Books and the Commerce of Culture in the Twenteith Century, “ in the of the on the of Provenance,” John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” 31–60; for the The and of Book Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” Stoker, David, “The Later Years of the Cheap Repository,” Ian, review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, 257–63; Dunne, Derek, review of Freeman, Bibliotheca Fictiva: A Collection of Books & Manuscripts Relating to Literary Forgery, Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, McEvilla, Joshua J., review of Dair, Epistles to the Torontonians, With Articles from Canadian Printer & Publisher, Epistles to the Torontonians, With Articles from Canadian Printer & Publisher, reviewed, Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” of John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” Sabrina Alcorn, review of Bayman, Thomas Dekker and the Culture of Pamphleteering in Early Modern England, Ortega, Élika, review of Earhart, Traces of the Old, Uses of the New: The Emergence of Digital Literary Studies, review of and Early Modern Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” Brittany, review of Eckhardt and Starza Smith, Manuscript Miscellanies in Early Modern England, Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” of and Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Derek, review of Freeman, Bibliotheca Fictiva: A Collection of Books & Manuscripts Relating to Literary Forgery, 263–67; review of and Books and Manuscripts from the and Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” alexander: Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Traces of the Old, Uses of the New: The Emergence of Digital Literary Studies, reviewed, and Starza Smith, eds., Manuscript Miscellanies in Early Modern England, reviewed, Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Ian, review of Bourus, Young Shakespeare’s Young Hamlet, 257–63; review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, 257–63; Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Ortega, Élika, review of Earhart, Traces of the Old, Uses of the New: The Emergence of Digital Literary Studies, Brittany, review of Eckhardt and Starza Smith, Manuscript Miscellanies in Early Modern England, John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; Gehl, Paul F., review of Reynolds, A Catalogue of the Manuscripts in the Library at Holkham Hall, vol. 1: Manuscripts from Italy to 1500, part 1: Shelfmarks 1–399, 107–9; Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” 31–60; Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Stoker, David, “The Later Years of the Cheap Repository,” Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” on the Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” 445–68; Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; review of and Early Modern Wagner, Bettina, Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” Stoker, David, “The Later Years of the Cheap Repository,” of Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” in Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” library: Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Dunne, Derek, review of Freeman, Bibliotheca Fictiva: A Collection of Books & Manuscripts Relating to Literary Forgery, 263–67; Dunne, Derek, review of and Books and Manuscripts from the and 263–67; Samuels Lasner, Mark, “A Collector Reflects on Provenance,” Bibliotheca Fictiva: A Collection of Books & Manuscripts Relating to Literary Forgery, reviewed, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, Canadian Binders’ Tickets and Booksellers’ Labels, reviewed, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” Paul F., review of Reynolds, A Catalogue of the Manuscripts in the Library at Holkham Hall, vol. 1: Manuscripts from Italy to 1500, part 1: Shelfmarks 1–399, 107–9; review of La xilografia nel libro italiano del Quattrocento: un percorso tra gli incunaboli del Seminario Vescovile di Padova, Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” review of and Early Modern Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” books: for the The and of Book alexander: Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” Ian, review of Bourus, Young Shakespeare’s Young Hamlet, 257–63; review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, Ian, review of Bourus, Young Shakespeare’s Young Hamlet, 257–63; review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” ed., and Books and Manuscripts from the and reviewed, the Samuels Lasner, Mark, “A Collector Reflects on Provenance,” Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” of the Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, library: Gehl, Paul F., review of Reynolds, A Catalogue of the Manuscripts in the Library at Holkham Hall, vol. 1: Manuscripts from Italy to 1500, part 1: Shelfmarks 1–399, Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Gehl, review of La xilografia nel libro italiano del Quattrocento: un percorso tra gli incunaboli del Seminario Vescovile di Padova, Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” 31–60; Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” Gehl, review of La xilografia nel libro italiano del Quattrocento: un percorso tra gli incunaboli del Seminario Vescovile di Padova, Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” william: Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” william: Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” Thompson, and Baechle, eds., New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall, reviewed, Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” charles: Ian, review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, richard: John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Hamlet After Q1: An Uncanny History of the Shakespearean Text, reviewed, Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” 445–68; Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” for the The and of Book for the The and of Book Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Sabrina Alcorn, review of Bayman, Thomas Dekker and the Culture of Pamphleteering in Early Modern England, Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; David A., review of Loveman, Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703, John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, Samuels Lasner, Mark, “A Collector Reflects on Provenance,” Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703, reviewed, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Brittany, review of Eckhardt and Starza Smith, Manuscript Miscellanies in Early Modern England, John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” 143–65; Gehl, Paul F., review of Reynolds, A Catalogue of the Manuscripts in the Library at Holkham Hall, vol. 1: Manuscripts from Italy to 1500, part 1: Shelfmarks 1–399, 107–9; Skinner, Julia, review of Kerby-Fulton, Thompson, and Baechle, eds., New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall, of Samuels Lasner, Mark, “A Collector Reflects on Provenance,” 241–53; Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Stoker, David, “The Later Years of the Cheap Repository,” M., ed., With a Book in Their Hands: Chicano/a Readers and Readerships Across the Centuries, reviewed, Joshua J., review of Dair, Epistles to the Torontonians, With Articles from Canadian Printer & Publisher, Robert J., review of Garlock, Canadian Binders’ Tickets and Booksellers’ Labels, Brittany, review of Eckhardt and Starza Smith, Manuscript Miscellanies in Early Modern England, Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” Wilson, Nicola, review of Osborne, The Rise of the Modernist Bookshop: Books and the Commerce of Culture in the Twenteith Century, Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Stoker, David, “The Later Years of the Cheap Repository,” Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” and Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” library: Wagner, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” of a Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” of and the Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” Marissa, “Printing as Revival: Making Playbooks in the 1650s,” Rachel, review of Martín-Rodríguez, ed., With a Book in Their Hands: Chicano/a Readers and Readerships Across the Centuries, Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” Élika, review of Earhart, Traces of the Old, Uses of the New: The Emergence of Digital Literary Studies, ed., The Rise of the Modernist Bookshop: Books and the Commerce of Culture in the Century, reviewed, Sabrina Alcorn, review of Bayman, Thomas Dekker and the Culture of Pamphleteering in Early Modern England, Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” Blair, Ann, “The Capacious Bibliographical Practice of Conrad Gessner,” Skinner, Julia, review of Kerby-Fulton, Thompson, and Baechle, eds., New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” for the The and of Book Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” for the The and of Book Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” history: Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” 143–65; Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” “ in the of the on the of Provenance,” Stoker, David, “The Later Years of the Cheap Repository,” history: Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” 31–60; for the The and of Book Nicosia, Marissa, “Printing as Revival: Making Playbooks in the 1650s,” Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Stoker, David, “The Later Years of the Cheap Repository,” Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” trade: John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” 167–84; Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” 185–202; Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” David A., review of Loveman, Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703, Noorda, Rachel, review of Martín-Rodríguez, ed., With a Book in Their Hands: Chicano/a Readers and Readerships Across the Centuries, Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, “ in the of the on the of Provenance,” Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” A Catalogue of the Manuscripts in the Library at Holkham Hall, vol. 1: Manuscripts from Italy to 1500, part 1: Shelfmarks 1–399, reviewed, a. John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” of Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Lasner, Mark, “A Collector Reflects on Provenance,” and Early Modern reviewed, Carmassi, Patrizia, “Through the Hands of Librarians and Booksellers: Examples of Recent Changes in Medieval Manuscripts of German Collections,” Jung, Sandro, “Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations,” william: Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; Ian, review of Bourus, Young Shakespeare’s Young Hamlet, 257–63; review of Lesser, Hamlet After Q1: An Uncanny History of the Shakespearean Text, 257–63; Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Julia, review of Kerby-Fulton, Thompson, and Baechle, eds., New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall, Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” in the Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Peiser, Megan, “Reviews as Database: Reading the Review Periodical in Eighteenth-Century England, Stoker, David, “The Later Years of the Cheap Repository,” Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Samuels Lasner, Mark, “A Collector Reflects on Provenance,” Stoker, David, “The Later Years of the Cheap Repository,” Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, Gadd, Ian, “A Companion to Blayney,” review of Blayney, The Stationers’ Company and the Printers of London, 1501–1557, Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” David, “The Later Years of the Cheap Repository,” Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” Blayney, Peter W. M., “Quadrat Demonstrandum,” review of Vickers, The One “King Lear,” 61–101; McEvilla, Joshua J., review of Dair, Epistles to the Torontonians, With Articles from Canadian Printer & Publisher, Gatch, Milton McC., “Disappearing Ess/Phillipps Manuscripts,” for the The and of Book Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” The One “King Lear,” reviewed, John, review of Bury, Artists’ Books: The Book as a Work of Art 1963–2000, Bettina, “ ‘Duplum Bibliothecae regiae Monacensis’: The Munich Court Library and its Book Auctions in the Nineneteenth Century,” Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Lupić, Ivan, and Brett Greatley-Hirsch, “ ‘What stuff is here?” Edmond Malone and the 1778 Edition of Beaumont and Fletcher,” Suarez, Michael F., S. J., “Hard Cases: Confronting Bibliographical Difficulty in Eighteenth-Century Texts,” and Samuels Lasner, Mark, “A Collector Reflects on Provenance,” John, and Rebecca N. Mitchell, “The Provenance of Oscar Wilde’s ‘Decay of Lying’,” Roy, Michaël, “The Vanishing Slave: Publishing the Narrative of Charles Ball, from Slavery in America (1836) to Fifty Years in Chains (1858),” Nicola, review of Osborne, The Rise of the Modernist Bookshop: Books and the Commerce of Culture in the Twenteith Century, Gehl, review of La xilografia nel libro italiano del Quattrocento: un percorso tra gli incunaboli del Seminario Vescovile di Padova, Duroselle-Melish, Caroline, “Anatomy of a Pamphlet Collection: From Disbinding to Reuniting,” Crackel, Theodore J., V. Fredrick Rickey, and Joel S. Silverberg, “Provenance Lost? George Washington’s Books and Papers Lost, Found, and (on occasion) Lost Again,” Previous article The Papers of the Bibliographical Society of America Volume 2017 for the Bibliographical Society of America 2017 the Bibliographical Society of

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.