Notice bibliographique
Résumé
Citation (2019), "Index", Bennett, M.J. and Gracon, D. (Ed.) Music and Death: Interdisciplinary Readings and Perspectives (Emerald Interdisciplinary Connexions), Emerald Publishing Limited, Bingley, pp. 119-121. https://doi.org/10.1108/978-1-83867-945-320191016 Publisher: Emerald Publishing Limited Copyright © 2020 Marie Josephine Bennett and David Gracon INDEX Note: Page numbers followed by “n” with numbers indicate footnotes. Acquired immune deficiency syndrome (AIDS), 109, 110, 111 Afscheid nemen bestaat niet (There’s No Such Thing as Goodbye), 8 Angels (song), 8–12, 17 in continuing bonds, 12–13 Ape, 56 Artistic intention, 96–100 Artvoice (2006), 54 Auto-ethnography, 33–46 Ave Maria (song), 2, 7–8, 10–11, 17 between religion, personalisation and ritual repertoire, 13–16 Belated mourning, 33–46 Bereavement, 24–25 Bienvenue au Canada, 73–78 ‘Bijou’, 112 Bikini Kill, 49n1 Black Flag, 49n1, 51n6 Blood Vote, The, 3, 87, 94, 100–104 Bodily involvement, 95 ‘Bohemian Rhapsody’ (film), 108, 116 Bohemian Rhapsody (film), 108, 116 Breathing, 91 Buffalo, 71, 72n1 Buffalo-Niagara Falls region, 74 C-PTSD, 61 Canadian Pearl Jam, 73–74 CFNY, 74–75 Christmas Markets of Vienna, 1 Circus, 94–95 audiences, 99 opera, 94 Clash, The, 49n1 Continuing bonds, 9–11 heaven and angels in, 12–13 Court culture, 26 Damaged (song), 51 Deacon, John, 108, 110 De weg (The Road), 8 Death and the Maiden, 46, 60–65 Death Vision (On a January Day), 3, 88–90 Defiance, 115 Digital technologies, 98 DIY Night, 57 Do-it-yourself culture (DIY culture), 52, 56–57 Drift, 53n11 Dying, 79 Écriture Feminine, 60 Embodied music cognition, 94 Empty Bodies, 3, 94, 96–99 Engeltje (Little Angel), 12 Eulogising, 37 Fall, The, 54 Fanzines, 52n9 Fibromyalgia, 61 Filth and the Fury, The (2005), 56 First-order surrogacy projects, 98–99 Folk culture, 26, 28 ‘Folk Requiem’, 8n2, 23–30 Folk songs on funeral and bereavement rituals, 20–30 ‘Fortissimo’, 90 Freud Museum, 37 Fugazi, 49n1 Funeral music between heaven and earth, 16–17 heaven and angels, 9–11 methodology, 11–16 Funerary culture in Netherlands, 7–8 Futurist Synthetic Theatre, The, 103 Girls Living Outside Society’s Shit (G.L.O.S.S.), 56 Grief, 20, 24, 27, 64 Grief therapy, 8, 10 ‘Grunge’ music, 52 Hallways Microcinema, 57 Hardcore music, 52, 52n8, 56 Heaven, 9–11 in continuing bonds, 12–13 Hudson, Rock, 109 Human immunodeficiency virus (HIV), 109 Imaginative indulgence, 43 Immortality, 113–115 Indie bands, 56 Innuendo (album), 111–113 Instrument, 57 Interpretive Performance Autoethnography, 60, 63 Jazz (album), 111 Kaddish, 40 ‘Keep Yourself Alive’ (song), 108, 112 ‘Killer Queen’, 108 L’appel du Vide, 61 Labyrinth, 82 Life Cut Short, 113 Literary Motifs in ‘Folk Requiem’, 26–30 Live Aid concert, 108, 109, 110 Lived religion, 9–11 Logos, 33 Manic Depression (band), 51 Martyrdom, 100 May, Brian, 107, 110, 112, 114 Melancholia, 37 Melos, 33 Memory, 37, 76 Mercury, Freddie, 107–115 defiance, 115 illness and death, 108–111 immortality, 113–115 life cut short, 113 Metal, 47, 50, 52, 59, 60, 69 Microtonal inflections, 91 Miracle, The (album), 109–110 Mourning, 20, 24–25, 37 belated, 33–46 Movement, 94–95 Music and Death, 1–3, 20, 37, 79, 88–89, 94, 96, 111 formats, 55 and mourning, 2, 5 vision of, 82, 87–88, 91 Music Television (MTV), 52, 52n7 Musical material, 88 My Way, 8 New circus, 94 Night at the Opera, A (album), 108 Nihility, 68 Nirvana, 52–55 Nothing Feels Natural (album), 51 Opera, 94, 96, 100 Panis Angelicus, 12 Pansy Division, 56 Parents Music Resource Centre (PMRC), 68 Performing Death, 3 ‘Person-centred’ funerals, 8 Personalisation, Ave Maria and, 13–16 ‘Personalised’ funerals, 8 Pillow Talk, 109 Polish burial ceremonies, 20 Post-traumatic stress disorder (PTSD), 100 ‘Psalms’ (David), 27–28 Punk, 49n1, 51–53, 56–58 Punk Rock (song), 53 Punk Singer, The (2013), 57 Queen (British rock group), 107–108, 111 Raincoats, The, 49n1 Ramones, The, 49n1 Religion, Ave Maria and, 13–16 ‘Requiem Ludowe’ (see ‘Folk Requiem’) Rise Above (song), 51 Rites of Passage, 8n2, 21–23 Ritual noise, 21 Ritual Repertoire, Ave Maria and, 13–16 Rituals, 20, 22, 24, 37 Rolling Stone (magazine), 52, 111 Scena 2007–2009, 3, 85–86 Sebadoh, 54 Serate futuriste (Futurist evenings), 102 ‘Seven Seas of Rhye’, 108 Sex Pistols, 49n1, 55–56 ‘Show Must Go On, The’, 3, 112–116 Singing, 21 Slits, The, 49n1 Smile (music group), 107 Sorrow (see Grief) Soul-readiness, 43 Spectro-morphology, 98 ‘Spirit of Radio, The’, 74 Stairway to Heaven, 12 State University of New York (SUNY), 53 Taylor, Roger, 107, 109–110 Tears in Heaven (song), 8–9, 11–12, 17 Temperance, 100 Territorial Pissings, 66–69 13 Songs, 50 ‘These Are the Days of Our Lives’, 112 Time in vision, 84–87 Time to Say Goodbye, 8, 16 Tragically Hip, 73–75 Transgressive sound surrogacy, 99 Transgressive surrogacy, 99 Trauma, 64 Trein Naar Niemandsland (Train to Nowhere), 8, 11–12 Un Autre Monde (Another World), 111 Underground Scenes, Alternative Music and Transformation, 2–3 Universalism, 28 Universität für Musik und darstellende Kunst Wien (MDW), 38–39 Unwound, 54 Vernacular religion, 11 Vienna, 34–46 Vision, 82–84 of death, 82, 87–88, 91 time in, 84–87 Weakerthans, 72n1 Wedding Present, The, 54 White Australia Policy, 100 Wings of Desire (1987), 3 Winnipeg, 72, 72n1 ‘Yeah’, 76–78 ‘Zines’ (see Fanzines) Book Chapters Prelims Introduction: Exploring Connections between Music and Death Section One: Music and Mourning Chapter 1: Funeral Music between Heaven and Earth Chapter 2: On the Funeral and Bereavement Rituals Depicted in Folk Songs: ‘The Folk Requiem’ by Adam Strug and Kwadrofonik Chapter 3: The Posthumous Nephew: An Auto-Ethnographic Exploration of Belated Mourning and Fresh Divinations Section Two: Underground Scenes, Alternative Music and Transformation Chapter 4: You’re Nothing: Punk and Death Chapter 5: Healing the Mother Wound: Metal Performance and Grief Management Chapter 6: Bienvenue au Canada: The Nonlanguage of Music and Dreams Section Three: Performing Death Chapter 7: The Vision of Death: Time and Temporality Chapter 8: Music and Embodied Movement: Representations of Risk and Death in Contemporary Circus Chapter 9: Mercury’s Message to Go On with the Show Index
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,007 |
| Méta-épidémiologie (sens strict) | 0,002 | 0,001 |
| Méta-épidémiologie (sens large) | 0,002 | 0,001 |
| Bibliométrie | 0,006 | 0,009 |
| Études des sciences et des technologies | 0,003 | 0,001 |
| Communication savante | 0,015 | 0,009 |
| Science ouverte | 0,003 | 0,004 |
| Intégrité de la recherche | 0,003 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,815 | 0,849 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».