MétaCan
Menu
Retour à la cohorte
Enregistrement W4252673781 · doi:10.7588/worllitetoda.87.3.0059

[sans titre]

2013· article· W4252673781 sur OpenAlex
Kevin Pickard

Pourquoi ce travail est dans la base

Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.

aboutLe titre ou le résumé porte un signal canadien du lexique géographique.
no affAucune affiliation canadienne : ce travail est invisible pour une base fondée sur la seule affiliation.
Aucune affiliation canadienne. Une base fondée sur la seule affiliation (le devis habituel) n'aurait jamais vu ce travail. C'est l'un des travaux qui justifient l'inversion de la base.

Notice bibliographique

RevueWorld Literature Today · 2013
Typearticle
Langue
DomaineSocial Sciences
ThématiqueEducation and Social Development in Ukraine
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésWifeWhite (mutation)BiographyBattleStyle (visual arts)PostmodernismDramaArt historyHistoryIdentity (music)ArtCharacter (mathematics)UkrainianSociologyLiteratureTheologyAncient historyPhilosophyAesthetics

Résumé

récupéré en direct d'OpenAlex

Gerbrand Bakker Ten White Geese David Colmer, tr. Penguin In this quietly haunting and poignant story, a wife takes the name Emilie and flees from Amsterdam to rural Wales seeking solace and a new identity. The husband’s search for his wife is complicated by the appearance of an enigmatic young man and his dog. A finely crafted character study, Ten White Geese captures the experience of inner turmoil and conflicting emotions. An Anthology of Modern Ukrainian Drama Larissa M. L. Zaleska Onyshkevych, ed. Canadian Institute of Ukrainian Studies Press The nine plays in this anthology cover each decade of the twentieth century and range in style from neoromanticism through postmodernism. An in-depth biography and list of selected works for each playwright, along with an explanatory essay, accompany each play. Nota Bene Michael Chabon. Telegraph Avenue. New York. Harper. 2012. isbn 9780061493348 Michael Chabon’s novel Telegraph Avenue, on a basic level, is about work life and home life in Oakland, California . Longtime friends Archy and Nat own Brokeland Records, a hole-inthe -wall record store that specializes in jazz. They are trying to keep their business alive as a “Dogpile megastore ” readies to open near them. Archy and Nat are devotees to a dying product from a bygone age. Similarly, Gwen and Aviva—Archy and Nat’s spouses, respectively—are devotees to the dying field of midwifery. As a birth goes wrong, they must battle to keep their privileges with a hospital, at which a racist doctor derides their profession as “voodoo.” On the domestic side of things, there are marital spats, absent fathers, a homosexual son, and, not surprisingly, childbirth, all of this underpinned by questions of race— Archy and Gwen are black; Aviva and Nat are white—and sex that add a weight that Chabon, for the most part, handles aptly. Particularly excelling when writing about family, Chabon can mold beautiful descriptions , crafting images in a way that is simultaneously unique yet familiar, and his ability to use these descriptions to cause the reader to reflect on some of the most intimate parts of life is among the best of today’s fiction writers. Unfortunately, at some point in his life it seems Chabon was told that he is a good describer, and he took the compliment too much to heart. At times he describes to the point of annoyance. This happens in particular on the business side of things, because in order to give what he perceives as an accurate feel of working at a record store, he has to name every jazz musician that ever played; or in order to get to the heart of actors in kung-fu films—one of the many divergences in a complicated but well-thoughtout plot—he has to mention every kung-fu fighter that ever threw a roundhouse kick. Quickly, this cataloging becomes tedious. Yet for all his overdescription, Chabon remains one of the truly brave living writers, willing and preferring to inhabit characters that are on the surface nothing like him. He is a writer with a sharp imagination, and fills Telegraph Avenue with a breathtaking diversity that, because it is so representative of twentyfirst -century America, deserves our attention. In a funny, self-referential moment, he has Gwen thinking about Candygirl Clark. Candygirl Clark is a character from the kung-fu films, and her catchphrase in these films was “Do what you got to do, and stay fly.” Gwen wonders if “the phrase was something cooked up by the screenwriter, some Jewish dude trying to think like an asskicking soul sister.” Of course, in this moment, Chabon is “some Jewish dude trying to think like an asskicking soul sister,” which he obviously recognizes. But his courage to never shy away from possibly contentious situations like these makes him well worth the time spent wading through pop culture references and excessive descriptions. Kevin Pickard University of Oklahoma may – june 2013 • 59 ...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,003
score de la tête « metaresearch » (Gemma)0,001
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesMéta-épidémiologie (sens strict), Études des sciences et des technologies, Communication savante, Intégrité de la recherche, Charge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesMéta-épidémiologie (sens strict), Charge utile insuffisante (le modèle a refusé de juger)
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Empirique · Signal consensuel: aucune
Score de désaccord entre enseignants0,725
Score d'incertitude au seuil1,000

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0030,001
Méta-épidémiologie (sens strict)0,0010,001
Méta-épidémiologie (sens large)0,0010,001
Bibliométrie0,0010,013
Études des sciences et des technologies0,0060,002
Communication savante0,0080,005
Science ouverte0,0020,000
Intégrité de la recherche0,0010,002
Charge utile insuffisante (le modèle a refusé de juger)0,0220,002

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,011
Tête enseignante GPT0,284
Écart entre enseignants0,272 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle