Notice bibliographique
Résumé
Mythologized as a former artist's colony, Wychwood Park is a gated community in midtown Toronto that encompasses fifty-eight homes built at the turn of the twentieth century.Wychwood Park's landscape plan is one of Canada's earliest examples of a garden suburb -a suburban design model derived from the turn-of-the-twentieth-century English Garden City movement.The Park boasts the highest concentration of Arts and Crafts domestic architecture in Toronto.Famous early residents included artists and art patrons who were instrumental in establishing what became the Art Gallery of Ontario, the Royal Ontario Museum, the Ontario College of Art and Design, and the Ontario Society of Artists.In this dissertation, I argue that Wychwood Park is a white settler colonial landscape.This argument is informed by the idea of landscape as an actor in social and political processes, rather than a reflection of them.The physical landscape of Wychwood Park, and the extent to which it reflects the ideas and values that sustain settler colonial rule, are seriously interrogated in this project.I am interested in the ways that a neighbourhood like Wychwood Park can teach Torontonians something about how patriarchy and racism work and what it means to live in an environment shaped by gendered/racialized thinking and social organization.I am informed by Richard Schein's contentions that "discourses of racialized social relations work through landscapes" 1 and that landscapes are the sites in which racialized discourses become "materialized." 2 In this 1 Richard Schein, "A Methodological Framework for Interpreting Ordinary Landscapes: Lexington, Kentucky's Courthouse Square," Geographical Review 99, no. 3 (2009): 396. 2 Richard Schein, "The Place of Landscape: A Conceptual Framework for Interpreting an American Scene," Annals of the Association of American Geographers 87, no. 4 (1997): 666.Completing this degree took nearly thirteen years, and in that time I was encouraged and mentored by countless people -many of whom are still in my life, some of whom are not.My sincere gratitude to my former partner, Michael Franklin, who listened enthusiastically and lovingly through countless iterations of the ideas that finally took shape in this thesis.My former best friend, Claire L. Carter, was similarly unrelenting in her belief in my talent and promise as a scholar.I carry both of their love with me always.I was accompanied by fabulous colleagues and friends in Cultural Mediations, and the long conversations, cheap beer, and seminar workshops I shared with Egemen Ozbek, Jason Green, Owen Lyons, Nicholette Prince, and Bianca Briciu broke the isolation of graduate study and moved my thinking in directions I wouldn't have encountered otherwise.Helin Burkay also became a cherished friend and I continue to learn from her every time we speak.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,018 | 0,007 |
| Communication savante | 0,005 | 0,001 |
| Science ouverte | 0,000 | 0,002 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,015 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».