Contributors

Previous article FreeContributorsFull TextPDF Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreNick AikensNick Aikens is a curator at Van Abbemuseum, Eindhoven since 2012. He is a Research Affiliate of the CCC Research Master Program, HEAD – Geneva School of Art and Design and a member of the editorial board for L’Internationale Online. He is a course leader at the Dutch Art Institute and was recently a tutor at Design Academy Eindhoven.Julia Bryan-WilsonJulia Bryan-Wilson is Professor of Modern and Contemporary Art at the University of California, Berkeley and the author, most recently, of Fray: Art and Textile Politics (University of Chicago, 2017).Alec FinlayAlec Finlay is an artist and poet whose work crosses over a range of media and forms. Recent publications include minnmouth (2017), A Variety of Cultures (2016), ebban an’ flowan (2015) and a better tale to tell (2015). He is currently working on a mapping of the Cairngorms National Park for Hauser & Wirth and a project on huts for the Venice Architecture Biennale.Anthony GardnerAnthony Gardner is Head of the Ruskin School of Art, University of Oxford, and author of Politically Unbecoming: Postsocialist Art against Democracy (MIT Press, 2015) and, with Charles Green, Biennials, Triennials and documenta: The Exhibitions that Created Contemporary Art (Wiley-Blackwell, 2016).Gunvor GuttormGunvor Guttorm is Professor in duodji (Sámi arts and crafts, traditional art, applied art) at the Sámi University of Applied Sciences in Guovdageaidnu/Kautokeino, Norway, where she is also the Rector. She has written several articles about how the traditional knowledge of Sami art and craft is transformed into modern lifestyles and has participated in exhibitions in Sápmi and abroad.Stefano HarneyStefano Harney teaches at Singapore Management University. He is a co-founder of Ground Provisions.Anders KreugerAnders Kreuger is Senior Curator at M HKA, the Museum of Contemporary Art Antwerp, and editor of Afterall. He is also a member of the Artistic Council for Kohta, a new private kunsthalle in Helsinki. Previously Kreuger was Director of the Malmö Art Academy andexhibitions curator at Lunds konsthall in his native Sweden, and a member of the Programme Team for the European Kunsthalle in Cologne.Walter D. MignoloWalter D. Mignolo is William H. Wannamaker Professor and Director of the Center for Global Studies and the Humanities at Duke University. He is Associate Researcher at Universidad Andina Simón Bolívar, Quito, since 2002 and an Honorary Research Associate for Center for Indian Studies in South Africa (CISA), University of Witwatersrand, Johannesburg. He is a Senior Advisor of Dialogue of Civilizations (DOC) Research Institute based in Berlin.Wanda NanibushWanda Nanibush is an Anishinaabe curator, writer, image maker and community organiser from Beausoleil First Nation. Currently she is the inaugural Curator, Indigenous Art at the Art Gallery of Ontario. She has taught graduate courses and published widely.Tonika Sealy ThompsonTonika Sealy Thompson is a festival director, curator, and filmmaker and co-founder of Ground Provisions.Nizan ShakedNizan Shaked is a Professor of Contemporary Art History, Museum and Curatorial Studies at California State University, Long Beach. She is author of The Synthetic Proposition: Conceptualism and Political Reference in Contemporary Art (Manchester University Press, 2017) and is currently working on Museums, the Public, and the Value of Art: The Political Economy of Art Collections (forthcoming with Bloomsbury Academic).Simon SoonSimon Soon is Senior Lecturer of Southeast Asian Art History at the University of Malaya. His broader areas of interest include comparative modernities in the art, urban histories and art historiography. He is also an editorial member of Southeast of Now: Directions in Contemporary and Modern Art in Asia published by NUS Press and a core member of the Malaysia Design Archive, a research platform focussed on visual cultures of the twentieth century.Kendra SullivanKendra Sullivan is an artist, writer, and curator whose work centres coastal ecologies and economies. She is the director of the Mellon Seminar on Public Engagement and Collaborative Research at the CUNY Graduate Center; a member of the eco-art collective Mare Liberum; and co-founder of the Sunview Luncheonette.Ana Teixeira PintoAna Teixeira Pinto is writer and cultural theorist based in Berlin. She is a Lecturer at Universität der Künste, Berlin and a Research Fellow at Leuphana University, Lüneburg. Her writings have appeared in publications such as e-flux journal, Mousse, Frieze, Domus, Inaesthetics, Manifesta Journal and Texte zur Kunst.cheyanne turionscheyanne turions is an independent writer and curator concerned with art’s capacity to provoke other possibilities. She is also currently Director of Education and Public Programs at the Vancouver Art Gallery, and sits on the board of directors for 221A.Vincent W.J. van Gerven OeiVincent W.J. van Gerven Oei is a philologist and co-director of independent open-access publishing platform punctum books. Recent publications include Cross-Examinations (MER. Paper Kunsthalle, 2015), and the edited volumes Going Postcard: The Letter(s) of Jacques Derrida (punctum books, 2017) and Allegory of the Cave Painting (Mousse, 2015; with Mihnea Mircan). His scholarly work has appeared in ART PAPERS, Glossa: A Journal of General Linguistics, postmedieval: a journal of medieval cultural studies, Theory & Event and tripwire, a journal of poetics among other venues. Previous article DetailsFiguresReferencesCited by Afterall Volume 45Spring/Summer 2018 Published by Central Saint Martins, University of the Arts London Article DOIhttps://doi.org/10.1086/698403 Views: 104 © 2018 by Central Saint Martins College of Art and Design, University of the Arts London. All rights reserved. Crossref reports no articles citing this article.

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