Introduction: Breaking with the Past, Forging the Future
Notice bibliographique
Résumé
Vienna at the end of the nineteenth and beginning of the twentieth century, often referred to as fin-de-siècle Vienna or Vienna 1900, is characterized as overflowing with influential and vibrant intellectual innovation expressed through new advances in the creative arts, architecture, philosophy, science, and medicine. It was at this time that Freud was experimenting with dream analysis, hypnosis, and the talking cure while his so-called Doppelgänger Arthur Schnitzler brought the inner workings of the mind to the field of literature. It was also at this time that Klimt was creating his golden portraits; Arnold Schönberg was developing his theories of atonality in music; Theodor Herzl was shaping his ideas regarding political Zionism; and the architect Adolph Loos was declaring that ornament was a crime. Professor Ernst Mach, who held a chair at the University of Vienna in the history and philosophy of the inductive sciences, was quite popular among students from a wide range of disciplines, blurring the boundaries between the disciplines of philosophy and science, particularly in his discussions of sensory perceptions, inner experience, and changes in perspective. The pacifists Bertha von Suttner and Alfred Hermann Fried received the Nobel Peace prize, in 1905 and 1911 respectively, for their work in promoting peace. Meanwhile, as in most other urban centers at the time, an organized women’s movement was gaining strength and social-democratic ideas had gained political traction. It was in this atmosphere that Grete Meisel-Hess (1879–1922) emerged as a modernist feminist writer. Grete Meisel-Hess supplied a feminist, Jewish voice to modernist discourses in the early twentieth century. Born in Prague to Jewish parents who later resettled in Vienna, Meisel-Hess became a significant literary presence in Vienna after the publication of her first novel, Fanny Roth: Eine Jung-Frauengeschichte (Fanny Roth: A Story for Young Women), in 1902. Her fiction as well as her sexual theories were influenced by many of her contemporaries, such as Sigmund Freud and Arthur Schnitzler, yet she also indirectly criticized their conceptions of gender and sexuality in her own works. Shortly after publishing her second novel, Die Stimme. Roman in Blättern (The Voice: A Novel in Sheets of Paper, 1907), Meisel-Hess officially relocated to Berlin, where she set herself up as a journalist while continuing to publish her fiction.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,005 | 0,006 |
| Communication savante | 0,008 | 0,008 |
| Science ouverte | 0,001 | 0,003 |
| Intégrité de la recherche | 0,003 | 0,006 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,034 | 0,013 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».