Ernest Hemingway in the Yellowstone High Country: A Complete Account of Hemingway's Work and Adventures in Montana and Wyoming by Chris Warren
Notice bibliographique
Résumé
Reviewed by: Ernest Hemingway in the Yellowstone High Country: A Complete Account of Hemingway's Work and Adventures in Montana and Wyoming by Chris Warren Joy Landeira Chris Warren. Ernest Hemingway in the Yellowstone High Country: A Complete Account of Hemingway's Work and Adventures in Montana and Wyoming. Riverbend Publishing, 2019. 169 p. When folks ask me about RMMLA, I describe it as the Rocky Mountain region's largest scholarly research organization for all languages and literatures including English. Not only is it our region's largest in terms of number of members, but of the six regional divisions of the national Modern Language Association, it encompasses the greatest geographical territory—north to south from Canada to Mexico and east to west from Colorado to Nevada. All the states in our vast region are part of the Rocky Mountain chain, plus one city, El Paso, the only part of Texas with a mountain. The two numbers of this year's volume 76 of our academic journal, Rocky Mountain Review of Language and Literature, comprise our largest annual volume ever published. The Chinese Feature Issue 76.1 and this Issue 76.2 end our anniversary year with feature articles and reviews on Afghan, American, British, Chinese, French, German, Indian, Latin American, and Spanish literature from all time periods, medieval through contemporary, highlighting that our membership and the scope of our studies is international, interdisciplinary and spans centuries. This past year, 2022, we celebrated the 75th anniversary of our founding in [End Page 356] Albuquerque, NM. The masterful convention Keynote by Wayne Catan on Hemingway's Impact portrayed this "man of the world" journalist and creative writer who traveled, observed and wrote about the Italian front in WWI, France's cosmopolitan Lost Generation, Spain's Civil War and bull fights, African safaris, Key West and Cuban fishing—and won world renowned Pulitzer and Nobel prizes. Yet, for all his worldly experience, a significant part of Hemingway's early formation as a writer and adventurer took place here in the heart of our Rocky Mountain region in Wyoming and Montana, what Ralph Glidden termed "the Yellowstone High Country." True to his subtitle, A Complete Account of Hemingway's Work and Adventures in Montana and Wyoming, Chris Warren begins with Hemingway's first visit to the Sheridan, Wyoming area in 1928. There he completed his first novel, A Farewell to Arms, and met Owen Wister, author of The Virginian, in Shell, Wyoming and drove around with him shooting prairie dogs (27, 35). After 1930, Hemingway's visits were centered on the northeast boundary of Yellowstone Park, from Cooke City, Montana to the L—T (Read "L Bar T" Ranch), where he wrote 350 pages of Death in the Afternoon. A rustic map details 20 key spots, from the Yellowstone River, where Hemingway was the first driver to ford Clark's Fork in his 1928 Ford Model A "Roadster Coupe" (sic) in 1930, then returned in the summers of '32,' 36, '38 and '39. A little more cartographic precision is needed, since page 155 states, "Cooke City sits ten miles to the west of the L—T Ranch," but the map on pages 18-19 locates Cooke City (# 20) east of the L—T (# 8). The carefully researched volume incorporates fascinating photos from the Sheridan County Fulmer Public Library, the John F. Kennedy Presidential Library and the Patrick Hemingway Collection at Princeton's Firestone Library and never-before-seen views from townsfolk who hunted and fished with him. This well-documented study draws upon a wealth of biographies (especially Carlos Baker's) and Hemingway's prolific correspondence, particularly with Scribner's editor, Max Perkins. One of the biographical strengths of Warren's account is his identification of locals and locales that serve as prototypes for Hemingway's characters and settings. The introductory vignettes of "The Players," profiling Ernest's family and area residents, and Appendix III, describing towns and businesses, and Appendix II, "The Yellowstone High Country in the Work" offer useful connections [End Page 357] between real people and places and their fictional counterparts and derivatives. Robert Jordan, protagonist of For Whom the Bell Tolls, is a Spanish teacher from Red Lodge...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,003 |
| Études des sciences et des technologies | 0,002 | 0,001 |
| Communication savante | 0,003 | 0,003 |
| Science ouverte | 0,001 | 0,003 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,112 | 0,050 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».