Red Barber: The Life and Legacy of a Broadcasting Legend by Judith R. Hiltner and James R. Walker
Notice bibliographique
Résumé
Reviewed by: Red Barber: The Life and Legacy of a Broadcasting Legend by Judith R. Hiltner and James R. Walker Alan L. Griggs Judith R. Hiltner and James R. Walker. Red Barber: The Life and Legacy of a Broadcasting Legend. Lincoln, NE: University of Nebraska Press, 2022. 496 pp. Cloth, $36.95. One can wonder, dear reader, why the world needs a 440- page tome about an obscure sports announcer; obscure to many, perhaps, but to those of us who know Walter Lanier Barber as “Red,” the need for such a thorough examination of his life should come as no surprise. Barber’s professional career, indeed his life, reads like something from the march of history. Born in the segregated south, he fell in line with the societal norms of Mississippi and Florida before gradually, thankfully, changing his outlook toward those with a different color of skin. Perhaps it is fitting that Red Barber is the man who handled the play- by- play radio call of the most momentous game in Major League Baseball history— the day Jackie Robinson broke the color barrier for the Brooklyn Dodgers, April 15, 1947. [End Page 132] It is here that Judith Hiltner and James Walker shine, not only as exceptional writers and researchers but as explorers of Barber’s inner personality, one that always held true to the guidance given him by baseball commissioner Judge Kenesaw Mountain Landis: to report, not to editorialize, not to manage, “just report.” It is simple but profound advice for anyone whose voice holds sway over thousands, perhaps millions, of people at any given time, a situation Barber found himself in as his career blossomed. What a career it was, a life of describing on- the-field action from Cincinnati to Brooklyn to New York interspersed with college football games, newspaper columns, four books, and a notable finale as colorful commentator for National Public Radio. Along the way, Barber was an eyewitness to not only the integration of baseball but the first game under the lights, May 24, 1935, when the Reds played the Phillies. He called the first no-hitter of Johnny Vander Meer’s two consecutive no- hitters, interviewed players from the dugout using a crude portable shortwave radio transmitter, broadcast road games for the first time, was an early proponent of educating women about baseball and bringing them to the games, called the first major league televised game, and was at the microphone when the Yankees’ Roger Maris hit number sixty- one. Red Barber’s trademark smooth Southern dialect was a source of comfort for fans even when their favorite team was on the losing end. Even more distinctive were the “barbarisms” he sprinkled throughout the game, particularly colorful, if unique, descriptions of the action. A lopsided run margin might mean the good guys had the game “tied up in a croaker sack.” A pitcher with a particularly sharp breaking ball threw “a jug- handle curve.” If a ball was tough to hold it might be “slick as okra,” and a team or individual with a decided advantage would be in “the catbird seat.” Modern-day announcers have their distinctive styles and verbiage, but it is safe to say none approached the colorful colloquialisms of Barber, especially since they were from the heart and not simply manufactured for effect. Perhaps the high point of Red Barber’s career was the time he spent in Brooklyn broadcasting Dodger games. From 1939 to 1953 the “Barber of Flat-bush” painted an electronic picture of the diamond action, in the process creating an art form that had no peer during his time or perhaps at any other time, for that matter. As the authors note, Barber could “transform Brooklyn into everyone’s hometown and Ebbets Field into everyone’s backyard” (168). He was the most admired sportscaster in the business, using his talents to become a household name through game action, commercials, active participation in civic affairs, and the transition from radio to television. Yes, it must [End Page 133] be noted that after Brooklyn Barber announced Yankees games for several years, but let’s leave it at that. There wasn’t a happy ending. Hiltner and Walker...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,005 | 0,002 |
| Communication savante | 0,007 | 0,004 |
| Science ouverte | 0,001 | 0,002 |
| Intégrité de la recherche | 0,002 | 0,004 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,067 | 0,035 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».