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Enregistrement W4321360870 · doi:10.1353/crc.2021.0033

Louis Bromfield’s The Strange Case of Miss Annie Spragg and The Rains Came in Francoist Spain

2021· article· en· W4321360870 sur OpenAlexvenueno aff
Cristina Zimbroianu

Notice bibliographique

RevueCanadian review of comparative literature · 2021
Typearticle
Langueen
DomaineBusiness, Management and Accounting
ThématiqueAmerican History and Culture
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésContext (archaeology)DistrustEconomic historyHistoryAgricultureIndustrialisationSociologyPolitical scienceLawArchaeology

Résumé

récupéré en direct d'OpenAlex

Louis Bromfield’s The Strange Case of Miss Annie Spragg and The Rains Came in Francoist Spain Cristina Zimbroianu American writer Louis Bromfield (1896–1956) won the Pulitzer Prize in 1926 for his novel Early Autumn. Born in Mansfield, Ohio, a land that was a rich agricultural community a hundred years before his birth, Bromfield inherited his father’s love of farming. Unfortunately, around 1890, Mansfield developed into an industrial and commercial centre, and agriculture and farming became less important. His father Charles, a Democratic politician, was committed to opposing the city’s activities and maintained close relations with the remaining farmers in the hope that he would one day return to farming (Anderson 15). Charles instilled in his son a distrust of industry and a society that “deprived men of their manhood and made them bankers, bookkeepers and factory hands” (Anderson 15). Industrialization made some people rich and others poor: in the Flats below Mansfield, slums increased significantly, and farmers could barely survive (Anderson 15). In this context, Bromfield enrolled at Cornell to study agriculture after graduating from high school in 1914. However, he dropped out a year later to help when, for financial reasons, the Bromfield family was forced to sell their house in town and move to a farm. His mother, Annette Bromfield, convinced him that life on the farm would lead him “to hard work and oblivion,” so in 1916 he enrolled at Columbia University to study journalism (Anderson 24). Before the end of his studies, however, the United States was at war, and Louis Bromfield decided to enlist in the Army Ambulance Service, organized with the French Army, and travelled to France (Anderson 24). In the First World War, Bromfield served as a driver and interpreter with the French army, and he returned to New York to initiate his literary career in 1924 when he published his first novel, The Green Bay Tree. His early novels (1924–1930) treat the themes of industrialization and transformation from agriculture to industry. As a defender of the Jeffersonian tradition, Bromfield portrays the consequences of industrialism [End Page 455] and materialism on the human being both in his native land and abroad (Anderson). In The Strange Case of Miss Annie Spragg (1928), Bromfield abandons his early themes, settings, contexts, and characters by introducing a mixture of sensuousness and mysticism that provide intentionally designed intensity and ambiguity (Anderson 56–61). Annie’s death, after having been considered a saint because she was marked by stigmata, and her apparently miraculous life give mysticism to the novel. The Rains Came (1937) is set in Ranchipur, India, and explores humanity’s potential to fight against miseries, poverty, religious prejudices, superstitions, diseases, and natural calamities. This is the first of Bromfield’s novels to introduce a large array of characters from both the West and the East who “battle on the sides of both light and darkness” (Anderson 100). However, the role of the church in The Strange Case of Miss Annie Spragg and the events of Annie’s life and death may not have been well received by readers in Franco’s Spain, nor would elements of Western modernity such as certain love stories and attitudes about religion have been accepted by Franco’s censors. Thus, the methodology employed for the study of the reception of these two novels in Franco’s Spain is based on context-activated theories, as Janet Staiger presents in her extensive analysis of reception studies, Studies in the Historical Reception of American Cinema. The context is provided by the political and cultural environment of Francoist Spain, and the censorship apparatus that decided which books could reach readers. Therefore, the aim of this article is to examine the reception of Bromfield’s The Strange Case of Miss Annie Spragg and The Rains Came in Francoist Spain, focusing primarily on the response of the censors, whose evaluations were crucial in determining whether or not these two novels would be successful in Spain. This discussion involves an examination of the censorship archives located at the Administration General Archives (Archivo General de la Administración) in Alcalá de Henares, particularly the files that reveal whether or not The Strange Case of Miss...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction machine sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,002
Version: metacan-v3-hybrid-931329e0061cStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Empirique · Signal consensuel: aucune
Score de désaccord entre enseignants0,341
Score d'incertitude au seuil0,678

Scores du classifieur distillé par catégorie (deux têtes)

CatégorieCodexGemma
Métarecherche0,0010,002
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0200,006
Communication savante0,0040,002
Science ouverte0,0010,003
Intégrité de la recherche0,0050,007
Charge utile insuffisante (le modèle a refusé de juger)0,0060,001

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,013
Tête enseignante GPT0,238
Écart entre enseignants0,225 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2021
Routes d'admission1
Résumé présentoui

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Même revueCanadian review of comparative literatureMême sujetAmerican History and CultureTravaux en français237 207