Notice bibliographique
Résumé
March 13, 2008 (7:35 pm) G:\WPData\TYPE2702\russell 27,2 054.wpd 280 Reviews APRÈS THE VICTORIANS … Kirk Willis History / U. of Georgia Athens, ga 30602–1602, usa kw@uga.edu A.yN. Wilson. After the Victorians: the Decline of Britain in the World. London: Hutchinson; New York: Farrar, Straus and Giroux, 2005 (hb); New York: Picador, 2006 (pb). isbn 0-312-42515-5. us$32.50; us$18.00 (pb). Pp. xii, 609. Poet, novelist, biographer, anthologist,literary critic, and cultural commentator , A.yN. Wilson is one of Britain’s most prominent and productive contemporary men of letters. Most at home with religious themes and individuals, he has written popular biographies of Jesus, St. Paul, Tolstoy, Milton, C.yS. Lewis, and Hilaire Belloc, edited The Faber Book of Church and Clergy, collected the religious writings of Tolstoy, and featured religious themes conspicuously in his many novels. Most comfortable intellectually in the late nineteenth and early twentieth centuries, he has in recent years moved into the cultural history of this periodz—zproducing a collection of his own Eminent Victorians in 1983 and a survey of The Victorians in 2003. Full of sharply drawn pen portraitures, lively anecdotes, and tartly expressed opinions, these books have won a wide audience, if far from a universally approving critical reception. Hard on the heels of his successful depiction of the Victorians, Wilson has now extended his account into the Wrst half of the twentieth centuryz—zfrom the death of Victoria in 1901 to the coronation of Elizabeth II in 1953. As with its companion volume, After the Victorians is more cultural sketch than academic history. Indeed, as a work of history it lacks any sense of historical causation and is resolutely descriptive and judgmental rather than explanatory and detached. Wilson, indeed, seems not so much interested in explaining the pastz—zor even in accounting for current conditionsz—zas in telling some good stories, settling some festering scores, passing some harsh judgments, praising some admired individuals , and bemoaning the fact that the Britain of the old Queen, Gladstone, and Disraeli has gone to the dogs. Not for nothing is the book subtitled “the Decline of Britain in the World”. A reader of After the Victorians therefore learns a great deal about Wilson’s own likes and (especially) dislikes concerning literature, politics, religion, and war but not much about the larger social, economic, scientiWc, and technological changes that transformed Britain in the Wrst half of the twentieth century. Possessing a nice line in invective and an enviable Xuency in presenting literary and March 13, 2008 (7:35 pm) G:\WPData\TYPE2702\russell 27,2 054.wpd Reviews 281 political vignettes, Wilson peppers his text with bright, funny, and caustic set pieces which he leaves the reader to string together and to make larger sense of. The Liberal Prime Minister H.yH. Asquith, for example, is described as “languid , emotional, sexually obsessed and clever in a second-rate sort of way” (p. 183), while the press lords NorthcliTe and Beaverbrook are dismissed as “appalling vulgarians” (p. 186), and Lord Louis Mountbatten, to oTer a Wnal example, is condemned Wercely for his role in managing Indian and Pakistani independence in 1947: “By his superWcial haste, his sheer arrogance, his inattention to vital detail, and his unwillingness to provide the huge peace-keeping forces which could have protected migrant populations, Mountbatten was responsible for as many deaths as some of those who were hanged after the Nuremberg trials” (p. 495). Given his robustly expressed Conservative sympathies and Christian faith, it should be no surprise that Wilson does not number Bertrand Russell among his intellectual icons. In The Victorians Wilson contented himself with a mention of how the young Russell had, with the equally youthful G.yE. Moore, “broken with the Idealists and adopted the philosophy ofz ‘realism’z” (New York: Norton, 2003, p. 569). No longer believing metaphysically that “truth is a unity”, Wilson asserted, Russell had then been led ineluctably into any number of errors and had catapulted into a “career [with] a violent disjunction between the belief in vast impersonal realitiesz—zlogical or mathematical truthz—zand the vacillations of his wholly irrational, often self...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,001 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,000 |
| Communication savante | 0,003 | 0,001 |
| Science ouverte | 0,001 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,496 | 0,240 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».