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Enregistrement W4379530100 · doi:10.1353/stu.2020.0080

Valuable and Fallible: A Review Essay on Reception, Ethics and the Media

2020· review· en· W4379530100 sur OpenAlexaboutno aff
Colum Kenny

Notice bibliographique

RevueStudies An Irish Quarterly Review · 2020
Typereview
Langueen
DomaineSocial Sciences
ThématiqueIrish and British Studies
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésJournalismPoliticsSociologyMedia studiesGratificationNationalismLawPolitical sciencePsychologySocial psychology

Résumé

récupéré en direct d'OpenAlex

Valuable and Fallible:A Review Essay on Reception, Ethics and the Media Colum Kenny A Post-Nationalist History of Television in Ireland, Edward Brennan (Palgrave Macmillan, 2019), xv+235 pages. Journalism’s Ethical Progression: A Twentieth Century Journey, Gwyneth Mellinger and John P Ferré (eds) (Lexington, Kentucky: University Press of Kentucky, 2020), 258 pages. ‘The history of journalism ethics speaks to the present in a variety of ways’. So writes John Patrick Ferré, one of the editors of Journalism’s Ethical Progression, who adds that – at the very least – ‘understanding how predecessors defined the situations they faced, applied principles, appealed to values, and identified stakeholders can help contemporary problemsolvers face issues systematically with the knowledge of past failures and successes’. Some people think that media made a democratising quantum leap with the onset of internet services but, if so, it remains the case that qualitative questions about moral issues are timeless insofar as they concern the truth, motivation or fairness of any communication. Each of the costly volumes considered here is directly relevant to current media developments. Edward Brennan, the author of a new ‘post-nationalist’ study of television in Ireland, raises questions that by extension help citizens to understand and respond to the complexities of a media-saturated society, in which commercial and political forces use remarkably sophisticated means to set agendas by means of gratification and manipulation. Just TV alone is still an intrusive medium, with the average number of hours watched by each person being substantial. Here, Brennan takes a broad view of TV studies by looking beyond the institutional story of particular national broadcasters such as Ireland’s RTÉ and beyond their internally produced programming, and beyond the relationship of broadcasters to advertisers and politicians, each of which provides the focus for other accounts. Brennan’s use of the term ‘post-nationalist’ in his title is by no means an Review Articles Studies • volume 109 • number 434 227 assertion that the concept or reality of the nation-state is somehow redundant, but it is recognition of the contemporary globalised ideology and identity of nation-states and of their citizens’ use and enjoyment of media from sources based outside any single state. He highlights the danger of studying television in Ireland as if Irish viewers had only ever watched, or taken seriously, Irishmade programmes on Irish channels. The history of television in Ireland is not just the history of RTÉ and other Irish channels. Long before some bigger states, Ireland, like Canada, began to experience the widespread reception of TV services and programmes from abroad in a language widely understood by its citizens and not subject to Irish regulation. There have been, in this and other ways, diverse sources for the construction of each citizen’s identity, and no single seamless Irish culture. Like many of the people whom Brennan interviewed for his book, and whose comments are enlightening and amusing, this reviewer recalls as an exciting and special event his first experience of watching live television. In the 1950s my parents brought me and my siblings to the house of acquaintances in Glasnevin, where we struggled through a storm of ‘bad reception’ to watch programmes being transmitted across Northern Ireland, part of the United Kingdom. As was common then, the strength of the blackand -white picture and its accompanying sound waxed and waned, sometimes breaking up into horizontal bars. We waited impatiently to see again the interrupted programmes, but just being in the presence of a working TV set was delightful. Although no television service was yet licensed within the Republic of Ireland, people were buying sets and erecting tall, cumbersome aerials to receive analogue signals that spilled over from the United Kingdom. Brennan found that his interviewees had difficulty remembering what they had actually done during many of the evening hours before television arrived in the home, what there was that TV presumably displaced – besides the rosary and some radio listening and perhaps a little reading. Brennan explores the development of hire-purchase and rental deals that were used to facilitate the acquisition of TV sets in Ireland at a time when citizens had little disposable income. It is a striking fact that the population...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,011
score de la tête « metaresearch » (Gemma)0,005
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesMéta-épidémiologie (sens strict), Études des sciences et des technologies
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Synthèse · Signal consensuel: Synthèse
Score de désaccord entre enseignants0,583
Score d'incertitude au seuil1,000

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0110,005
Méta-épidémiologie (sens strict)0,0010,000
Méta-épidémiologie (sens large)0,0060,001
Bibliométrie0,0000,001
Études des sciences et des technologies0,0030,003
Communication savante0,0000,000
Science ouverte0,0010,000
Intégrité de la recherche0,0000,002
Charge utile insuffisante (le modèle a refusé de juger)0,0000,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,176
Tête enseignante GPT0,450
Écart entre enseignants0,273 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreSynthèse

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2020
Routes d'admission1
Résumé présentoui

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