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Enregistrement W4383374969 · doi:10.1353/mlr.2023.a901141

Feeding Fascism: The Politics of Women’s Food Work by Diana Garvin (review)

2023· article· en· W4383374969 sur OpenAlexaboutno aff
Karima Moyer-Nocchi

Notice bibliographique

RevueThe Modern Language Review · 2023
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueItalian Fascism and Post-war Society
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésPoliticsScholarshipSociologyObediencePower (physics)Gender studiesLawPolitical scienceAestheticsArt

Résumé

récupéré en direct d'OpenAlex

Reviewed by: Feeding Fascism: The Politics of Women’s Food Work by Diana Garvin Karima Moyer-Nocchi Feeding Fascism: The Politics of Women’s Food Work. By Diana Garvin. Toronto: University of Toronto Press. 2022. xv+276 pp. $36.95. ISBN 978–1–4875–2818–8. The cover of a home economics treatise for young brides to be called Regalo di nozze is punctuated by a quotation from Mussolini: ‘I firmly believe that our way of eating, dressing, working and sleeping, the entirety of our daily habits has to be reformed.’ Such a declaration might seem antithetical to the felicitous occasion, but [End Page 396] bringing about radical social change on a national scale would require the consent or at least compliance of women, whose energies were monopolized by what Diana Garvin refers to broadly as ‘women’s food work’. In Feeding Fascism Garvin sets out to establish that despite Mussolini’s categorical imperative of unquestioned obedience (credere, obbedire, combattere), consensus among women over the twenty-year period of Italian Fascism could not simply be dictated as a top-down directive. It was a negotiation of tensions and intentions: of women’s willingness to proceed in lockstep with the regime, of their power to protest under a dictatorship, and of their ability to acquiesce in the absence of choice. They were, as Garvin says, ‘actors, interpreters and critics: they accept, modify and reject’ (p. 5). Feeding Fascism is a welcome contribution to currents in Italian Studies scholarship applying post-qualitative analysis to social contexts that veer away from the elite and grandiose. It posits a valuable perspective alongside such works as Carol Helstosky’s Garlic and Oil: Politics and Food in Italy (Oxford: Berg, 2004), Victoria de Grazia’s How Fascism Ruled Women: Italy, 1922–1945 (Berkeley and London: University of California Press, 1993), Christopher Duggan’s Fascist Voices: An Intimate History of Mussolini’s Italy (Oxford: Oxford University Press, 2013), and Perry Wilson’s Peasant Women and Politics in Fascist Italy: The Massaie Rurali (London and New York: Routledge, 2002). Garvin’s research involves an impressive variety of cultural ephemera, artefacts, and textual resources which not only support, but vividly illustrate her arguments. Her analysis of the resulting narratives that would shape Italy’s culinary trajectory is perceptive and illuminating, although some issues remain debatable. This is not a who-ate-what culinary history, but a critical examination of women and tabletop politics in both the public and private spheres—that is, the legacy of Fascism as it played out in Italian kitchens. With respect to the intimate nature of the topic and its myriad manifestations, primacy is given to women’s subjectivity. ‘Whenever possible, I use women’s own conceptions of gender, class, and region to describe social categories. In terms of style, these historical subjects express complex thoughts and emotions in clear speech. Their words remind me that educated sources will sometimes use convoluted phrasing as a power play, framing opacity as expertise’ (p. 4). The task of delineating a state narrative regarding female citizenry and the ways in which women navigated the regime’s often ambivalent expectations of their role may involve the risk of applying blanket assertions to a country as culturally disparate as Italy. Garvin reins in the potentially unwieldy project by selecting specific events or contexts as springboards from which to elaborate broader concepts of women as bodies who produce, consume, and feed. She begins with Filippo Tommaso Marinetti and the so-called Futurist Cuisine. As an artiste-provocateur, his interests lay more in self-aggrandizement than gastronomy or the regime. His infamous call for the end of pasta, that doughy culinary relic that softened Italian bellies, reducing them to a nation of sloths, made for titillating newspaper hype, but did not set off a scourge of panic in households. It did, however, impose on the [End Page 397] sphere of women, perhaps as a calculated stab at the gatekeepers of Italian cuisine. In his defence, the plea concurred with the regime’s 1925 Battle for Wheat, part of which consisted, ironically, in compelling the nation to eat more rice. The push for rice production under the auspices of autarky led...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction machine sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,004
Version: metacan-v3-hybrid-931329e0061cStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Synthèse · Signal consensuel: Synthèse
Score de désaccord entre enseignants0,010
Score d'incertitude au seuil0,033

Scores du classifieur distillé par catégorie (deux têtes)

CatégorieCodexGemma
Métarecherche0,0010,004
Méta-épidémiologie (sens strict)0,0010,000
Méta-épidémiologie (sens large)0,0010,001
Bibliométrie0,0020,006
Études des sciences et des technologies0,0010,001
Communication savante0,0030,003
Science ouverte0,0010,001
Intégrité de la recherche0,0020,003
Charge utile insuffisante (le modèle a refusé de juger)0,0100,003

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,023
Tête enseignante GPT0,298
Écart entre enseignants0,275 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreSynthèse

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2023
Routes d'admission1
Résumé présentoui

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