Notice bibliographique
Résumé
Michael Nicoll Yahgulanaas is a celebrated contemporary Haida artist whose practice is grounded in the Pacifc Northwest of Canada.In this thought-provoking book, Nicola Levell explores his varied body of work, which includes large-scale public projects, mixed media sculptures and canvases, acrylics, watercolours, ink drawings, ceramics, illustrated publications and especially what is recognized as 'Haida manga'.Levell examines the characteristics and philosophical and ideological backgrounds of these works to convincingly argue that they represent a unique expression of contemporary Indigenous art; one that reveals a complex and sophisticated mediation of many global artistic and cultural movements.The Haida Nation, to which Yahgulanaas belongs, is situated on Haida Gwaii (formerly the Queen Charlotte Islands) on the west coast of Canada.The Haida peoples developed a distinctive culture based on the use of rich marine and forest resources, and are especially renowned for their potlatch ceremonies and their sophisticated totem poles, large longhouses, wooden canoes, bentwood boxes, masks and other carved and painted artworks with unique depictions of human and non-human fgures.Like other Northwest Coast peoples, the Haida suffered severe hardships due to settler colonial control as well as infectious diseases, such as smallpox and infuenza brought by European and American traders during the prosperous maritime fur trade between the late eighteenth and early nineteenth centuries.They were legally banned from holding potlatch ceremonies from 1885 until 1951, and their totem poles, masks and other items used in ritual ceremonies were confscated by the Canadian government and handed over to museums and other institutions.Furthermore, the government enforced assimilation policies, including residential schooling and Christianization, for all Indigenous peoples in the country.Thus, their cultures and languages faced the threat of extinction during this period.However, the Northwest Coast peoples have creatively rebuilt their traditions through the cultural revitalization movement since the 1950s and the Indigenous rights movement since the 1970s.As this book reveals, in the 1970s, Yahgulanaas emerged as an activist and artist during the Haida Nation's battle for rights and sovereignty.His ideas about and commitment to the Haida and other worlds as an Indigenous person, environmentalist, politician and Indigenous rights activist have played an important role in shaping the issues and objectives of his art.For example, among other subjects, his oeuvre addresses the collective memory of historical colonization; confict; war; social, economic and cultural discrepancies; industrial resource development and identity and climate change.
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Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,001 | 0,002 |
| Études des sciences et des technologies | 0,007 | 0,002 |
| Communication savante | 0,008 | 0,003 |
| Science ouverte | 0,002 | 0,003 |
| Intégrité de la recherche | 0,003 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,575 | 0,393 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».