Notice bibliographique
Résumé
P&t&I LoVIlckTwo YEARS AGO, Kate Stevens gave me a call from her home in Victoria, British Columbia.It would plunge me into a fascinating, sometimes irritating, but ultimately rewarding project.Professor Stevens taught in the Department of East Asian Studies at the University of Toronto until her retirement in the late 19808.She taught Chinese performing arts as literature for over twenty years and has made an extensive study of Peking drum singing, a storytelling genre which she performs.I had been and, in the Chinese way of looking at things, still was her student.After she left the university, I continued as a teacher of Performing Arts in China in her place, a post for which she recommended me.Now, she had something else on her mind for me.Would I be interested in writing a book on Chinese opera?A book? Surely, there were quite a number of these already.But what Kate Stevens had in mind was something quite different.That's when she told me about Siu Wang-Ngai and his collection of photographs.Siu Wang-Ngai is one of the most prominent photographers in Hong Kong.A lawyer by profession, he has won international recognition for his photographs.The Royal Photographic Society of Great Britain awarded him a fellowship for his theatrical photography in 1985, and honoured him with a second fellowship in 1989 for his pictorial photography.Mr. Siu's photographs are frequently exhibited and published.He was chair of the Federation of Hong Kong-Macao Photographic Associations and often serves as a judge in Hong Kong photography exhibitions.Kate Stevens explained that one of Siu's ongoing special projects was photographing Chinese regional opera.There are over 300 different regional opera styles in China.In recent years, outstanding troupes with China's foremost performers have visited Hong Kong.Siu began photographing their performances in 1981 and has so far taken over 30,000 photographs of more than 200 operas in twenty-two regional opera styles.These photographs were what would make this book special.Siu was prepared to select a number of shots from his collection personally, but they needed text around them to explain the stories and give background.I was intrigued.In addition to my teaching work, I performed the painted-face role in the Chinese Opera Group of Toronto.I knew what it felt like, if only as an amateur, to wear the bold make-up, carry the heavy costume, and tell a story using conventions from a highly polished theatrical tradition.Maybe I could bring that experience to the photographs.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,003 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,002 | 0,002 |
| Études des sciences et des technologies | 0,003 | 0,001 |
| Communication savante | 0,004 | 0,003 |
| Science ouverte | 0,001 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,411 | 0,237 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».