<i>Leonardo</i> Volume 56

AFDILE, MAMDOOH. “The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film,” in Special Section “Art-Science,” Leonardo56, No. 5 (2023).AMIR, EINAT; SOFAER, JOSHUA; and SAMS, MIKKO. “Act of Fiction: Simultaneously Experienced Multiple Perspectives of (Un)reality When Engaging with Narrative-Based Art,” Leonardo56, No. 4 (2023).ANANIA, KATIE and STIGLITZ, COOPER. “Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization,” Leonardo56, No. 6 (2023).ARAR, RAPHAEL. “An Ecological Oracle,” Leonardo56, No. 5 (2023).ARTUT, SELÇUK. “Live Coding in Music Theater—A Comprehensive Technique? The Case of Damrul and the Grim Reaper,” in Special Section “Music and Sound Art,” Leonardo56, No. 2 (2023).AYTON-SHENKER, DIANA. “The Edge of Beginning Again,” Leonardo56, No. 4 (2023).AYTON-SHENKER, DIANA. “Invisible Accelerators,” Leonardo56, No. 1 (2023).AYTON-SHENKER, DIANA. “Navigating Critical Zones: Indeterminate and Intimate Geographies,” Leonardo56, No. 2 (2023).AYTON-SHENKER, DIANA. “Remediating the Individual and the Collective,” Leonardo56, No. 5 (2023).AYTON-SHENKER, DIANA. “A World Full of Creativity,” Leonardo56, No. 3 (2023).BAETANS, JAN. Review of Alain Robbe-Grillet: L’Aventure du Nouveau Roman, Leonardo56, No. 3 (2023).BAETANS, JAN. Review of Annotation, Leonardo56, No. 4 (2023).BAETANS, JAN. Review of Arte Programmata: Freedom, Control, and the Computer in 1960s Italy, Leonardo56, No. 3 (2023).BAETANS, JAN. Review of Contemporary Photography in France: Between Theory and Practice, Leonardo56, No. 4 (2023).BAETENS, JAN. Review of Deserted Devices and Wasted Fences: Everyday Technologies in Extreme Circumstances, Leonardo56, No. 1 (2023).BAETANS, JAN. Review of La bande dessinée en France à la Belle époque. 1880–1914, Leonardo 56, No. 2 (2023).BAETENS, JAN. Review of Literature’s Elsewheres: On the Necessity of Radical Literary Practices, Leonardo56, No. 5 (2023).BAETANS, JAN. Review of Parallel Public: Experimental Art in Late East Germany, Leonardo56, No. 1 (2023).BAETENS, JAN. Review of The Phantom Scientist, Leonardo56, No. 4 (2023).BAETENS, JAN. Review of Photographie contemporaine et anthropocène, Leonardo56, No. 5 (2023).BAETENS, JAN. Review of Post-Postmodernist Fiction and the Rise of Digital Epitexts, Leonardo56, No. 6 (2023).BAETENS, JAN. Review of Robert Rauschenberg and Surrealism: Art, ‘Sensibility’ and War, Leonardo, 56, No. 6 (2023).BAETENS, JAN. Review of Scale Theory: A Nondisciplinary Inquiry, Leonardo56, No. 2 (2023).BAETENS, JAN. Review of The Topographic Imaginary: Attending to Place in Contemporary French Photography, Leonardo56, No. 1 (2023).BAETENS, JAN. Review of The Unification of the Arts: A Framework for Understanding What the Arts Share and Why, Leonardo56, No. 5 (2023).BAETENS, JAN. Review of What Time Is It?: Stories about Painting, Shadows and the Sun, Leonardo56, No. 6 (2023).BARNETT, R. “On Newton Harrison: An Open Mind and a Bad Attitude,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).BENISH, BARBARA. “The Passing of Newton Harrison,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).BEREZAN, DAVID G. and KARAGEORGHIS, COSTAS I. “Sound-Runner: Out of the Starting Blocks,” in Special Section “Music and Sound Art,” Leonardo56, No. 4 (2023).BON, LAUREN. “Newton Harrison and the Trial by Fire,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).BORDINI, ROGÉRIO. “Digitizing an Art Gallery—Process of Creation and Evaluation of the Gaia Virtual Platform,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).BORGES DA SILVA, CÂNDIDA LUIZA. “Transeuntis Mundi: A Nomadic Artistic Practice,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).BOUCHER, MARC. “Dancing with Objects: A Psychological and Neuro-physiological Analysis,” Leonardo56, No. 1 (2023).BOWDITCH, RACHEL and MARTINSON, KAREN JEAN. “MAY WE HAVE YOUR ATTENTION PLEASE? CLIMATE CHANGE IS URGENT AND CHANGE NEEDS TO HAPPEN NOW,” in Special Section “Seize the Moment,” Leonardo56, No. 4 (2023).BOWEN, BRENDA B. and WISCHER, WENDY. “Evaporated: Explorations in Art, Science, and Salt,” Leonardo56, No. 3 (2023).BRANDONJIĆ, KACA. “The Phenomenal Atlases of Contemporary Physics,” Leonardo56, No. 6 (2023).BROOK, TAYLOR. “Music, Art, Machine Learning, and Standardization,” in Special Section “Music and Sound Art,” Leonardo56, No. 1 (2023).BUIANI, ROBERTA. Review of Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology, Leonardo56, No. 3 (2023).CABRERA, YONLAY and DIAGO, LUIS. “The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram,” Leonardo56, No. 5 (2023).CASTELLANOS, CARLOS. “PlantConnect,” Leonardo56, No. 4 (2023).CHANG, PAI-LING and LI, PENG-PENG. “Envisioning Rhythm: Exploring the Visual Dimension of Natural Ecosystems through Digital Media,” Leonardo56, No. 5 (2023).CHOI, SUK KYOUNG. “The AI Laocoön: Art and the Artifical Imagination, or Survival Aesthetics in the Anthropocene,” Leonardo56, No. 3 (2023).CLAUS, JÜRGEN. “Game Forms of the Possible: A Personal Obituary of Leonardo Contributor and Co-founder of Computer Art Herbert W. Franke, 1927-2022,” Leonardo56, No. 1 (2023).CORTI, EMANUELA; PARATI, IVAN; and DILS, CHRISTIAN. “Lovewear: Haptic Clothing that Allows Intimate Exploration for Movement-Impaired People,” Leonardo56, No. 2 (2023).CRAWSHAW, ALEXIS. “Computational Paideia through the New Media Arts: Toward the Embodiment of Value, Meaning, and Holistic Thinking in Information,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).CURRY, DEREK. “Artistic Defamiliarization in the Age of Algorithmic Prediction,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 2 (2023).DELUCHI, ERICA. “Making Sense of Indeterminate Representations of Land in Contemporary Markets,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 2 (2023).DENIO, KRISTA. “The Network Project,” Gallery section, Leonardo56, No. 3 (2023).DESOUKY, BATOOL. “Programmoire: Refiguring Witchcraft for a Creative Agency via Computational Art Practice,” Leonardo56, No. 3 (2023).DJERASSI, ALEXANDER. “Leonardo@ Djerassi 2022,” Gallery section, Leonardo56, No. 3 (2023).DONG, YUXIANG. “Repoliticizing the Depoliticized: Experimental Ethnography and Social Practice in Chinese Media Art,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).DOYLE, DENISE; GLOVER, RICHARD; KHECHARA, MARTIN; and GROES, SEBASTIAN. “Exploring the Third Space in Art-Science: The Identifying Successful STARTS Methodologies Project,” Leonardo56, No. 3 (2023).DYER, MARK. “Scribe: Machine Learning, Parafiction, and the Perversion of Practice,” in Special Section “Music and Sound Art,” Leonardo56, No. 5 (2023).EKENSTRAM, MAJLI AF. “Digital Textiles: Tactile Expression in a Virtual Environment,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).ENGELSTAD, JANEIL. Introduction to Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).ENGELSTAD, JANEIL. “Lessons from the Harrisons,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).ENNS, ANTHONY. Review of The Lab Book: Situated Practices in Media Studies, Leonardo56, No. 2 (2023).ERDMANN, CORNELIA. “On Light-scapes: Exploring the Aesthetics and Narrativities of Light and Color in Contemporary Hong Kong,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).FERNG, JENNIFER. Review of Climatic Media: Transpacific Experiments in Atmospheric Control, Leonardo56, No. 2 (2023).FERRARA, ENZO. Review of Invention and Innovation: A Brief History of Hype and Failure, Leonardo56, No. 5 (2023).FOERSTER, DESIREE and CAMPBELL, IAIN. “Experimental Environments and the Aesthetic Experience of Metabolic Processes,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 2 (2023).FORCEVILLE, CHARLES. Review of Introduction to Graphic Design: A Guide to Thinking, Process, and Style, 2nd Ed. Leonardo56, No. 6 (2023).FORCUCCI, LUCA. “LASER Nomad: Road Maps for Art and Science Research into Ancestral Knowledge,” in Special Section “LASER,” Leonardo56, No. 4 (2023).FRIESS, PETER and RUCHE, ALAIN. “The Metaverse, 2030: A Boring Virtual Future Averted by Inspired Entrepreneurs and Artists,” Leonardo56, No. 4 (2023).GAMBARDELLA, ANDREW; CHUNG, MEEYUNG; CHOI, DOYO; and LEE, JINJOON. “gOd, mOther and sOldier: A Story of Opression, Told through the Lens of AI,” Leonardo56, No. 6 (2023).GESSERT, GEORGE. “OurMonsters,” Leonardo56, No. 5 (2023).GHARIB, MORTEZA; ROH, CHRIS; and NOCA, FLAVIO. “Leonardo da Vinci’s Visualization of Gravity as a Form of Acceleration,” Leonardo56, No. 1 (2023).GONSALVES, KAVITA; AIA-FA’ALEAVA, AGAPETOS; HA, LAN THANH; JUNPIBAN, NAPUTSAMOHN; NARAIN, NATASHA; FOTH, MARCUS; and CALDWELL, AMAYO. “TransHuman Saunter: Multispecies Storytelling in Precarious Times,” Leonardo56, No. 2 (2023).GRADECKI, JENNIFER. “The Critical Counterpoints of Dataveillance Artists,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 2 (2023).GRITTEN, ANTHONY. “Transformed Strangely: Lyotardian Indeterminacy in John Cage’s Child of Tree,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 1 (2023).HAN, EUGENE. “Visualizing Spatial Gaze Data in the Perception of 3D Objects,” Leonardo56, No. 2 (2023).HANKWITZ, MOLLY. Review of Algorithms of Oppression: How Search Engines Reinforce Racism, Leonardo56, No. 1 (2023).HANKWITZ, MOLLY. Review of Crisis Vision: Race and the Cultural Production of Surveillance, Leonardo56, No. 6 (2023).HE, YUANUAN (KAY); IMPEY, CHRIS; and BURLESON, WIN. “StellarScape: An Immersive Multimedia Performance Inspired by the Life of a Star,” Leonardo56, No. 3 (2023).HELYER, NIGEL and POTTS, JOHN. “ Culturescape: Environment, Science, and Art at Bundanon,” Leonardo56, No. 4 (2023).HERRIE, MAJA BAK. “Topological Vision: The Artistic Thinking of Shigeru Onishi,” Leonardo56, No. 3 (2023).HOLT, NICOLAS. “The Radiant Unknown: Juan Downey’s Aesthetics of Energy,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).HOUSE, BRIAN. “Macrophones,” Gallery section, Leonardo56, No. 3 (2023).IONE, AMY. Review of Acevedo in Context: Analog Media 1977-1987 • Digital Media 1983–2020, Leonardo56, No. 4 (2023).IONE, AMY. Review of Inside the Spiral: The Passions of Robert Smithson, Leonardo56, No. 5 (2023).ITO, KENSUKE. “Be More Conceptual Regarding Non-Fungible Tokens (NFTs) as Art,” Leonardo56, No. 3 (2023).JAUERNIK, CHRISTINA. “Dithering Eyes: Or, Correspondences with Erratic Bodies,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 1 (2023).JOHNSTONE, FIONA. “Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements,” in Special Section “Science and Art,” Leonardo56, No. 4 (2023).KANG, HAEIN. “Dear Pamela,” Gallery section, Leonardo56, No. 3 (2023).KNIGHT, CARINNE. “Eco-Art: On the Topography of the Harrisons,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).KNIGHT, SILVIN; REFOJO, JOSE; NEWMAN, LOUISE; RIZZO, ROSSELLA; TINNEY, HUGH; and ROMEROORTUNO, ROMAN. “Dancing with Atoms: A Tribute to Sheila Tinney,” Leonardo56, No. 6 (2023).KUHLMANN, NAILA; LÉCUYER, JENNIFER; THOMAS, ALIKI; and BLAIN-MORAES, STEFANIE. “Piece of Mind: Mobilizing Scientific and Experiential Knowledge of Dementia through the Arts,” Leonardo56, No. 5 (2023).LEHMANN, JOHANNES; COLE, RACHEL GARBER; and STERN, NATHANIEL E. “Novelty and Utility: How the Arts May Advance Question Creation in Contemporary Research,” Leonardo56, No. 5 (2023).LIU, PINYAO; DESNOYERS-STEWART, JOHN; STEPANOVA, EKATERINA R.; and RIECKE, BERN HARD E. “Breath of Light: Reclaiming Shared Breathing Through a Meditative Installation,” Leonardo56, No. 5 (2023).LOVETT, MATTHEW. “Measuring is Making: The Radical Indeterminacy of Music,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 2 (2023).LUERS, WILL. Review of Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz, Leonardo56, No. 3 (2023).LUSHETICH, NATASHA and CAMPBELL, IAIN. “Introduction to Special Section,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 1 (2023).MADDOX-HARLE, ROBERT. Review of Frederik Ruysch and His Thesaurus Anatomicus: A Morbid Guide, Leonardo56, No. 2 (2023).MADDOX-HARLE, ROBERT. Review of An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe, Leonardo56, No. 1 (2023).MADDOX-HARLE, ROBERT. Review of Inside the Spiral: The Passions of Robert Smithson, Leonardo56, No. 6 (2023).MADDOX-HARLE, ROBERT. Review of Piranesi and the Modern Age, Leonardo56, No. 4 (2023).MARIÁTEGUI, JOSÉ-CARLOS. Review of On the Anarchic Organization of Cinematic Spaces, Leonardo56, No. 6 (2023).MAURO-FLUDE, ANTHONY and POLLITT, JO. “I am_your_Pyrate Dancer: Choreographic Computabilities Dancing inside the Interstices of a Visceral World,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 1 (2023).MAYER, MARK. “Through,” Gallery section, Leonardo56, No. 3 (2023).MCCONVILLE, DAVID. “Tending to the Life Web,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).MILLER, BRAD and ROSSO, DIEGO. “Capturing the Beauty of Bubble Shadows and Exploring Their Regularity,” Leonardo56, No. 6 (2023).MORAND, FRANCISCA; JAIMO VICH, JAVIER; BATE, MÓNICA; and JARA-HINOJOSA, ISABEL. “Fragile Intersections: An Installaformance as System,” in Special Section “Music and Sound Art,” Leonardo56, No. 4 (2023).MORIARTY, CLARE MARIE. “ ‘Tint and Form’: The Geometric Philosophy Underlying Oliver Byrne’s Elements,” Leonardo56, No. 2 (2023).MOSHER, MIKE. Review of In Motion: Amiri Baraka, Leonardo56, No. 6 (2023).MOSHER, MIKE. Review of The Unfinished Business of Unsettled Things: Art from an African American South, Leonardo56, No. 1 (2023).MOTT, REBECCA. “AI + Art: Illuminating the Black Box,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).NOHARA, KAYOKO; MARENKO, BETTI; and SALANI, GIORGIO. “Hacking Hearts: Establishing a Dialogue in Art/Science Education,” in Special Section “Science and Art,” Leonardo56, No. 1 (2023).NOLD, CHRISTIAN. “Typology of Emotion Assemblages in Art and Science,” Leonardo56, No. 3 (2023).NOONAN, BRI and STRICKLAND, JENNY. Introduction to Special Section “Seize the Moment: A Transdisciplinary Initiative,” Leonardo56, No. 4 (2023).O’REILLY, ZIGGY; CHAU, CHRISTINA; THOMPSON, NATHAN; and BEN-ARY, GUY. “Bioengineered Living Entities in Art: Aliveness, Duration, and Movement in Bricolage,” Leonardo56, No. 5 (2023).PARIKKA, JUSSI. Review of Climatic Media: Transpacific Experiments in Atmospheric Control, Leonardo56, No. 1 (2023).PARIKKA, JUSSI. Review of Environing Media, Leonardo56, No. 4 (2023).PARIKKA, JUSSI. Review of The Smartness Mandate, Leonardo56, No. 6 (2023).PARIKKA, JUSSI. Review of Terra Forma: A Book of Speculative Maps, Leonardo56, No. 2 (2023).PENG, ZHIJUN; SUN, HAN; TAO, WENYUAN; KANG, QIBIN; XU, WENGUANG; ZENG, FANYUE; and LIN, CHENZHENG. “Research, Representation, and Conservation of Mani Heaps: The Digitalization Projects,” Leonardo56, No. 3 (2023).PETERSON, STEPHEN. Review of The Night Albums: Visibility and the Ephemeral Photograph, Leonardo56, No. 1 (2023).PETRIE, FINN. “Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology,” Leonardo56, No. 5 (2023).PILLING, FRANZISKA; AKMAL, HAIDER ALI; LINDLEY, JOSEPH; GRADINAR, ADRIAN; and COULTON, PAUL. “Making AI-Infused Products and Services More Legible,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 2 (2023).PINKEL, SHEILA. Introduction to Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).PIRCHNER, ANDREAS. “Entangled Realities: Emerging Performances of Relating Humans, Sonatars, and Spaces,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 1 (2023).POKOJNA, HANA. “Cartography of Touch: Transformation of Touch through Anatomical Projections,” Leonardo56, No. 6 (2023).PRATT, LOUIS; JOHNSON, ANDREW; and PIETRONI, NICO. “Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture,” Leonardo56, No. 6 (2023).PROULX, MIKHEL. “Social Practice before the Web: Networked Media in Canadian Art,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).PUNT, MICHAEL. Review of Endless Intervals: Cinema, Psychology, and Semiotechnics Around 1900, Leonardo56, No. 3 (2023).PUNT, MICHAEL. Review of Extinct: A Compendium of Obsolete Objects, Leonardo56, No. 2 (2023).PUNT, MICHAEL. Review of Thinking with Sound: A New Program in the Sciences and Humanities around 1900, Leonardo56, No. 4 (2023).PUNT, MICHAEL. Review of Words of Weather: A Glossary, Leonardo56, No. 1 (2023).REWAKOWICZ, ANA. “Foggy Pursuit of Ethical Response-Ability: Art and Science of Collecting Water from Fog,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).RILEY, HOWARD. “The Drive to Draw: Perceptual Attention and Communicative Intention,” Leonardo56, No. 5 (2023).RODDY, STEPHEN. “Signal to Noise Loops: A Cybernetic Approach to Musical Performance with Smart City Data and Generative Music Techniques,” in Special Section “Music and Sound Art,” Leonardo56, No. 1 (2023).ROGERS, HANNAH STAR and BENCARD, ADAM. “Metabolism and Art,” Leonardo56, No. 4 (2023).ROJAS, ALEJANDRO ALBORNOZ. “Voice and Poetry as Inspiration andMaterial in Acousmatic Composition,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 (2023).ROSENBERG, LISA. “Open Studio, Invisible Art,” Gallery section, Leonardo56, No. 3 (2023).ROYSTON, ANNE M. “Entangled Poetics: Two Bioartists in the Anthropocene,” Leonardo56, No. 4 (2023).RYAN, LESLIE A. “Being Good Ancestors,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).SALVAGGIO, ERYK. “Infinite Barnacle: The AI Image and Imagination in GANs from Personal Snapshots,” Leonardo56, No. 6 (2023).SAMUELS, MIRANDA. “Tragedy of the Non-Visible: Aesthetic and Ontological Differences in Early Computer versus Conceptual Art,” Leonardo, 56, No. 2 (2023).SAREEN, HARPREET and KAKEHI, YASUAKI. “Plantae Agrestis: Distributed, Self-Organizing Cybernetic Plans in a Botanical Conservatory,” Leonardo56, No. 1 (2023).SCHLIENGER, DOMINIK. “How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence,” Leonardo56, No. 4 (2023).SCHULLER, JAN C. and GÖHLE, ULF HENRIK. “The Music of Heart Rate Variability,” in Special Section “Music and Sound Art,” Leonardo56, No. 1 (2023).SHANKEN, EDWARD. “Tipping the Scales: The Harrisons and the Force Majeure,” in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 (2023).SHEIKH, HIRA; DEARY, FOTH, MARCUS; and for Leonardo56, No. 6 GEORGE. Review of How and Leonardo56, No. 4 Review of Art the Computer Age, Leonardo56, No. 5 Review of Leonardo56, No. 2 in on and of through in Special Section “Indeterminacy after AI,” Leonardo56, No. 1 E. and A. and Representations of Science,” in Special Section “Science and Art,” Leonardo56, No. 3 Review of A New Critical Leonardo56, No. 3 Review of A The of the Mind and How Leonardo56, No. 4 Review of The Creative of Leonardo56, No. 3 Review of Toward a Leonardo56, No. 5 An into a of and Leonardo56, No. 4 Review of and Art and Leonardo56, No. 1 LEE, and “A New Leonardo56, No. 3 Review of Art, Science, and the of Leonardo56, No. 3 “The Case for Toward a in Special Section Leonardo56, No. 3 Review of Life in the Critical to the Leonardo56, No. 5 and of Leonardo56, No. 4 Technologies for in the Age of Leonardo56, No. 4 and in Special Section “LASER,” Leonardo56, No. 4 M. in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 and Newton Harrison: in Special Section “Disremembering the Harrisons,” Leonardo56, No. 3 Gallery section, Leonardo56, No. 3 and on by Transdisciplinary A Shared Leonardo56, No. 1 Perspectives on Leonardo56, No. 4 LI, and on the Leonardo56, No. 1 “The of Visual Indeterminacy in Abstract AI Art,” in Special Section “Indeterminacy after AI,” Leonardo56, No. 1 “A Speculative of in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5 XU, and LEE, Art by Leonardo56, No. 1 “The of on Projects,” in Special Section “Top-Rated LABS Abstracts 2022,” Leonardo56, No. 5

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.