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Enregistrement W4387412703 · doi:10.1353/abr.2023.a906496

The Economist by Christopher Grimes (review)

2023· article· en· W4387412703 sur OpenAlexaboutno aff
Greg Sanders

Notice bibliographique

RevueAmerican book review/˜The œAmerican book review · 2023
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueRussia and Soviet political economy
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésPsycheCompendiumHistoryImmigrationPseudonymSociologyArt historyMedia studiesLawPolitical sciencePsychologyPsychoanalysisArchaeology

Résumé

récupéré en direct d'OpenAlex

Reviewed by: The Economist by Christopher Grimes Greg Sanders (bio) THE ECONOMIST Christopher Grimes Spuyten Duyvil https://www.spuytenduyvil.net/the-economist.html 150 pages; Print, $18.00 Christopher Grimes's The Economist is a metafictional novel in the form of a proposal for a treatise analyzing deleterious economic and anthropological trends in the US and Canada during the COVID pandemic. That's a mouthful, but Grimes isn't messing around. The reader, who may be challenged by this setup, is rewarded with instances of brilliant writing and flits of insight that cut deep into the American (as in North American) psyche. Focused around the fictional border town of Freyman, North Dakota, a small community through which passes much of the haulage to and from the Bakken Formation frack pads, The Economist at first inundates the reader with a compendium of the various unhappy trends pertaining to immigration and the pandemic. It's as if the nameless (though not necessarily anonymous) narrator has been amassing and researching these complaints, and now plans to elucidate them one by tedious one, supporting each grim piece with data and citations, bringing this reader right up to the edge of a parapet. The metafictional framework allows Grimes leeway to make sweeping statements without typical novelistic buildups. We don't have to scale a linguistic hill to determine the narrator's message, because the message is all there is. Or messages, as there are many. Here are just a few of them: that in the US the COVID pandemic decimated the country's gross domestic product and spiked unemployment, while in Canada the gross domestic product grew and unemployment dropped so low that there was actually a labor shortage; that motor vehicles kill approximately 32.5 trillion insects per year; that older Canadians retiring in the US with their "costly geriatric afflictions" usurp US resources, while US members of the "professional class" that migrate north to cities like Vancouver add to the disequilibrium. Soon we're homing in on these "resident aliens" who "take advantage of various medical [End Page 69] interventions (i.e., bariatric procedures, joint replacements)" in the US. Before long, we will meet one. The writing, both careful and seamless, goes on for some time naming and explicating the various ways in which Canada seems to be putting one over on the US. Eventually the reader settles into the efficiency and even strange hilarity of the scheme as we abandon hope of a conventional narrative. And yet we soon discover a domestic drama at the center of this novel. Beneath the simmering and fragmentary exegeses, a sympathetic portrait emerges of a middle-class family "economically stranded in the wild west of the fracking boom, surrounded on all sides by the shudder of downshifting diesel engines at all hours of the day and night." The characters are not named, but the "jack-of-all trades" father seems suspiciously to be a stand-in for the narrator. His wife, a "practicing family physician," is frayed both physically and emotionally by the pandemic; their thirteen-year-old daughter seems to have found the perfect musical instrument to reflect her inner state, namely, "the infernal recorder, the harmonic range of which is so ultimately thin and flat as to render any composition an expression of ambivalence at best, at worst sheer annoyance"; and the maternal grandmother (the dreaded resident alien), who has come south from Canada to wind down her life in the family's North Dakota home, and is laid out corpse-like in front of the TV tuned to the Hallmark Channel. The family dog, Velcro, poor thing, carries at least as much metaphoric weight as any of the humans onstage. Domestic interludes act as the binding element of this novel, and many of the passages demonstrate that Grimes's talent transcends the clever recitation of statistics surrounding economics, or technical discussions on the mechanics of fracking. The writing can be tender and elusive, as when daughter and father discover that their local swimming spot is closed for the season, the water poisoned with fracking effluent: the girl "was standing there in her sandals and summer dress, the straps of her bikini drawn tight...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,004
score de la tête « metaresearch » (Gemma)0,001
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesMéta-épidémiologie (sens strict), Études des sciences et des technologies, Charge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesÉtudes des sciences et des technologies, Charge utile insuffisante (le modèle a refusé de juger)
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Synthèse · Signal consensuel: Synthèse
Score de désaccord entre enseignants0,181
Score d'incertitude au seuil1,000

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0040,001
Méta-épidémiologie (sens strict)0,0010,000
Méta-épidémiologie (sens large)0,0030,001
Bibliométrie0,0000,002
Études des sciences et des technologies0,0020,007
Communication savante0,0000,000
Science ouverte0,0020,000
Intégrité de la recherche0,0000,001
Charge utile insuffisante (le modèle a refusé de juger)0,0030,007

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,013
Tête enseignante GPT0,320
Écart entre enseignants0,306 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.

Devis d'étudeSans objet
Domainenon disponible
GenreSynthèse

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2023
Routes d'admission1
Résumé présentoui

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