Notice bibliographique
Résumé
Play as a concept is both plastic and elastic, and contradictorily it has many sharp corners. It is not always, or even often, benign or ignorant. Any child playing with dolls is well aware that limbs and heads can come off, and frequently do. When that happens, the child discovers the unpleasant truth that joyous play can intersect with unhappy reality. Playfulness challenges and questions the mores and behavior patterns of society, and pokes at the crevices to widen them, or to explore them, or both. Sexual play, in particular, is fraught with ethical and moral dilemmas, and when the sexual play has medievalism as its core stratagem, it poses many questions for us. Medievalists turn to the complicated questions raised by fin amour as it was codified and publicized in the twelfth century and spread broadly across most medieval European societies by the fourteenth, becoming imbricated in Christian ideology. Medievalism scholars often examine this element of medieval society as recreated in modern fantasy and romance tropes in many modern media, and heavily inflected by Victorian morality. Sex itself, less obviously available to us in medieval texts, has not always attracted as much attention from those using medievalism as an organizing strategy for their work. Until very recently, when medieval sex erupted onto various television and computer screens, and queering the medieval became, rightly, a popular approach, medievalism in its approach to sexual questions tended towards a profoundly conservative approach. And yet, sexual play as it intersects with medievalism is an important approach for many creators in the field and has been for some time. For investigating this kind of play, the work of Alice Munro (a Canadian short-story writer who won a Nobel Prize for Literature in 2013) stands out as particularly fearless and fascinating. In general, her sexual play and playfulness often exploit medieval materials, or medievalist materials. She interweaves medievalizing themes through many of her stories, and very unobtrusively uses medievalism as a crowbar to delve into the question of what should be taken seriously and what should not. Munro’s medievalism tantalizes, offering a subtle path for approaching difficult sexual reactions; that is, she uses the medieval as a way of distancing her protagonists from their sexuality, but at the same time of highlighting it.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,002 | 0,002 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,000 |
| Études des sciences et des technologies | 0,014 | 0,019 |
| Communication savante | 0,006 | 0,004 |
| Science ouverte | 0,001 | 0,004 |
| Intégrité de la recherche | 0,002 | 0,010 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,004 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».