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Enregistrement W4392768521 · doi:10.1353/wsj.2024.a922175

For The Moment, at Least

2024· article· en· W4392768521 sur OpenAlexaboutno aff
Jacque Vaught Brogan

Notice bibliographique

Revue˜The œWallace Stevens journal · 2024
Typearticle
Langueen
DomaineArts and Humanities
ThématiquePoetry Analysis and Criticism
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésMoment (physics)ArtPhysicsClassical mechanics

Résumé

récupéré en direct d'OpenAlex

For The Moment, at Least Jacque Vaught Brogan Notre Dame October 12–13, 2023 The Poem is mad. In fact, it almost refused to meetThis year. But it showed up today, saying, "I don't want to talk about it.Any of it. At all. Even if it is trueThat your 'unprecedented' wildfires have 'reversedSeven years' progress in cleaning our air,' "it is just too easyTo recall the odd orange haze that, all of June,Sullied the sky and dimmed the sun. Even if it is trueThat 'dangerous particulates' stretched all the wayFrom Canada past Florida, it is just too simpleTo underscore how the sumacs have suffered the effect—How they are 'hung with dried leaves, /Clinging to broken branches like dead moths.'(Your words, dear friend, not mine.)" The Poem is, frankly, being pissy. "And," it continuesTo complain, "even if the extensive drought and heatThrough summer's end blighted the corn and wheatOf the entire Midwest, it is too facile, by far, to turnTo the trees and say, 'The oak leaves drooplike dirty gloves' or that 'Patches in the maplesare missing, / Having turned a crackled brown /Before dropping far too early, / Alreadymere leaf-trash on the ground.'" It refuses to talk about it—All the suffocating earthquakes and floods elsewhere—And cringes when it cries that it didn't want to hearAbout the babies and beheadings or that nowThere is "No safe place left in Gaza." "It takes courage," the Poem insists,"—or can we still say, 'real chutzpah'?—to report that last month'The Banyan Tree on Maui,' though seemingly burnedBeyond hope, was 'showing sprouts on its lower limbs,'And that just this past week, the Banyan is re-leafing,Against all odds, 'even in its upper canopy.' [End Page 107] "SO?—WHAT OF THIS?," the Poem demands."What OF it? Dare you admit (much less describe)How today, at this rendezvous by the lakes, we see poplarsAnd Northern Ash still fanning full green leaves—Waving them in quiet applause to this changing season?Or that here and there random leaves, having reachedTheir longed-for color, let go, make clicking soundsAt first, among the blowing upper branches,Then drift, side to side, riding the soft breezeThrough light and shadowed limbs, before landing—Rather, settling—like yellow butterflies in the eve? "Can't you see that the lakes themselves shiftLike a living kaleidoscope? Panes of gray and blue tiltAgainst each other, edged with orange and white ripplesRunning each over the other, as if excited to endIn myriad displays of winking, twinkling flashes? "THIS is poetry," the Poem declares. "Not death and destruction,And not even these halting, faltering words,But Spirit unfolding . . . Being—as real as real can be." The Poem, rather spent, agrees to walk, hand in hand,Along the well-worn path we have followed around the lakesEach year—through the walnut grove, past the sycamoresWhere the woods begin to thin, to small stretchesOf welcoming grass ("always green here," we agree,"even under the heaviest of snows"). We leave the sceneAlone, trusting it to speak for itself. As we round the most western endOf the larger, second lake, an unremembered bendSuddenly reveals a most surprising spread of flowers— late, mature marsh marigolds laced at the water's edge—A pleasing foreground that presages or, perhaps embraces,The fabled dome back to the east, truly gilded by the setting sun.(It needs no words from either of us, this actual still life,Etched so well into memory.) And then—a rapid hiss—Sound of unseen motion. From behind the broken ridgeOf half-submerged logs, a lone swan appears, Traveling without mate, turned slightly sideways (Almost in profile), but approaching nonetheless— [End Page 108] Gliding, it seems, without effort, Calm, serene, and sure. The Poem and I turn, and stare at each other."WELL? WHAT OF THIS?," I long to repeat."WHAT OF ALL THIS?—," I ask, "—THIS FALL?" "What," I ache to know, "is left—what more—is yet to come?" [End Page 109] Copyright © 2024...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesÉtudes des sciences et des technologies, Charge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Empirique · Signal consensuel: aucune
Score de désaccord entre enseignants0,616
Score d'incertitude au seuil1,000

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0010,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0020,000
Communication savante0,0010,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0040,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,038
Tête enseignante GPT0,265
Écart entre enseignants0,227 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2024
Routes d'admission1
Résumé présentoui

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