Notice bibliographique
Résumé
About the Artist:Monica Dolores Baza Katerina Teaiwa Monica Dolores Baza is of CHamoru and French-Canadian heritage and has a bachelor's degree in fine arts from Concordia University in Montreal. Her designs, drawings, paintings, and linoleum block prints are inspired by CHamoru material, visual, symbolic, and storytelling culture and the island environment of Guåhan (Guam). Baza was influenced by role models such as Filamore Palomo Alcon and Adriano Baza Pangelinan and credits her growth as an artist to participating in gatherings filled with robust discussions and constructive criticism of art practice and theory. She was one of nine founding members of the Chamorro Artists Association in 1987 and established Baza Designs that same year. In 1994 she collaborated with four others to found the Guam Gallery of Art. In 1995 Baza and her sister incorporated the expanding design business specializing in art cards, bags, t-shirts, and fine art. Click for larger view View full resolution Photo by Monica Dolores Baza Baza's block print Guåhan Pugua features on the cover of Indigenous Literatures from Micronesia, edited by Evelyn Flores and Emelihter Kihleng (University of Hawa'i Press, 2019). In his 2022 review of the book for the journal Native American and Indigenous Studies (9[2]: 129–230), Chadwick Allen praised Baza's cover as truly embodying the spirit of the stories, poetry, ideas, and arguments within the book's pages: "In Baza's rendering, the palm's sinuous trunk—black with yellow striations depicting older growth and hints of green depicting newer growth—rises from a band of … black earth into a blue sky alive with swirling wind that is simultaneously a blue sea alive with teeming fish" (129). All of Baza's works featured in this double issue are from 2016 and emit similar, abundant energies. They evoke deep layers of Island history, culture, land, sea, and sky through vibrant colors that we hope you can sense, even in the black-and-white version of this journal. Since the 2016 collection, Monica has taken time away from her arts profession to focus on caring for family. [End Page vii] Click for larger view View full resolution Tao Tao Latte, by Monica Dolores Baza, 2016. Block print, mixed media, 24 × 36 in. Photo by Victor Consaga. Permanent art collection of Matson Navigation Company, Inc. "Taotao" means "people" in the CHamoru language, while "latte" refers to limestone or basalt pillars and cup-shaped capitals or capstones that represent house supports from the time of the ancient people of the Mariana Islands who buried their dead between the stones. It is a contemporary symbol of CHamoru strength and identity. [End Page viii] Click for larger view View full resolution Full Moon Åmot Healing, by Monica D Baza, 2016. Block print, mixed media, 24 × 36 in. Photo by Victor Consaga. "Åmot" is the CHamoru word for medicine or medicinal plants. [End Page ix] Click for larger view View full resolution The Rebirth of Guåhan Oceania, by Monica D Baza, 2016. Block print, mixed media, 24 × 36 in. Photo by Victor Consaga. [End Page x] Click for larger view View full resolution Plumeria Strains I, by Monica D Baza, 2016. Block print, mixed media, 24 × 36 in. Photo by Victor Consaga. [End Page xi] Click for larger view View full resolution Guåhan Pugua, by Monica D Baza, 2016. Block print, mixed media, 24 × 36 in. Photo by Victor Consaga. This work is featured on the cover of Indigenous Literatures from Micronesia, edited by Evelyn Flores and Emelihter Kihleng (University of Hawai'i Press, 2019). "Pugua" is the CHamoru word for betel nut. [End Page xii] Click for larger view View full resolution Hibiscus Pictograph Pottery, by Monica D Baza, 2016. Acrylic lino-painting, 24 × 36 in. Photo by Victor Consaga. [End Page xiii] Copyright © 2024 University of Hawai'i Press
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,001 |
| Communication savante | 0,003 | 0,002 |
| Science ouverte | 0,001 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,070 | 0,020 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».