Пророкувати зі сцени: огляд сценічних адаптацій драматичної поеми Лесі Українки «Кассандра»
Notice bibliographique
Résumé
A myth about lack of stageability has long been surrounding Lesya Ukrainka’s dramatic texts, including Cassandra. This sentiment has been echoed frequently and in different contexts – from the first literary critics to contemporary stage directors and theatre critics. Nonetheless, at the turn of the first and second decades of the 21st century, almost 100 years after it was written, Cassandra appears to be one of the most productive texts for understanding Ukrainian history and modernity. The article aims to provide an overview of the theatrical adaptations of Lesya Ukrainka’s dramatic poem Cassandra made in Ukraine and abroad between the first staging in 1967 in Canada and the premieres of the 2023/2024 season. The study’s interdisciplinary methodology encompasses literary studies, art criticism and culture studies. To conduct an overview of the theatrical adaptations of Lesya Ukrainka’s drama, bibliographical search and material systematisation methods have been used; a source study approach has been used to find and process archival documents and periodicals; a historical and typological approach has been used to highlight the history of productions; a comparative method has been used to compare the stage version and the text of the dramatic poem; intermedial studies have been applied to the analysis of the interaction between the arts. Following the research, an overview of the theatrical productions of Lesya Ukrainka’s dramatic poem Cassandra in Ukraine, Canada, Poland, and the United Kingdom has been conducted. The overview includes stage performances that use text from Lesya Ukrainka’s Cassandra, most of which are contemporary productions. The study is the first to collect and systematise information about nearly two dozen productions of Lesya Ukrainka’s dramatic poem Cassandra. Comparative analysis has been used to provide an overview of the stage adaptations of the literary work and the directorial decisions and to analyse reviews of premieres, interviews, and theatre announcements. The materials of the first theatrical adaptation of the dramatic poem in the Ukrainian Zahrava Theatre in 1967 have been outlined for the first time and the widespread media opinion about the first stage adaptation of Cassandra on the Kyiv stage in 1970 has been refuted. The conclusions summarise the history of theatrical adaptations of Lesya Ukrainka’s dramatic poem Cassandra, which was not staged during the author’s lifetime and was even considered a drama with no potential for staging. Two dozen productions prove that the dramatic poem belongs to some of the most productive texts and conceals hidden meanings of world history repeating itself. Lesya Ukrainka’s 150th birthday in 2021 and the current russian-Ukrainian war have actualised this drama and brought it back into public discourse through numerous theatrical productions that offer its multiple readings and interpretations.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,003 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,001 |
| Méta-épidémiologie (sens large) | 0,001 | 0,001 |
| Bibliométrie | 0,001 | 0,003 |
| Études des sciences et des technologies | 0,001 | 0,002 |
| Communication savante | 0,001 | 0,002 |
| Science ouverte | 0,003 | 0,002 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,047 | 0,074 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».