Aesthetic Influence, Narrative Structures, and Interactors' Agency in Social Media Self-Presentation
Notice bibliographique
Résumé
The widespread accessibility and prevalence of digital retouching tools have detached selfies from their original purpose of authentic self-expression within specific social groups. Instead, self-presentation on digital platforms like TikTok, Instagram, etc., has evolved into a strategic tool for building and maintaining social relationships, garnering acceptance through shared recognition of identity, and, in some instances, sustaining livelihoods. This study explores the intricate relationship between contemporary social media users and how they curate self-images and identities through specific digital platforms. While under the context of neoliberalism, posting selfies ostensibly offers an opportunity for authentic self-expression, my investigation reveals a nuanced interplay influenced by external forces, particularly the beauty and advertising industries. Contrary to the appearance of natural self-presentation, these industries emerge as influential drivers, shaping women's self-presentation on social media. Motivated by societal expectations, individuals in the digital world present a meticulously "designed" self, often at odds with their authentic selves. Drawing on a comprehensive theoretical framework informed by the works of Erving Goffman, Guy Debord, and Michel Foucault, my study addresses the inquiry of how the agency of interactors influences the design choices within the foundational structures of interactive digital media, examining how selfies impact the aesthetic of digital creativity and narrative structures. Goffman's insights and Debord's concept of the spectacle in the self-presentation provide a foundational understanding, while Michel Foucault's panopticon theory provides a critical reflection of our exploration of contemporary digital media. By integrating qualitative content analysis of social media posts, I demonstrate the lived experiences of individuals negotiating self-presentation and their designed selfie choices. By synthesizing these qualitative findings with the theoretical framework, I aim to uncover the complex structure influencing the construction of digital self-identity. The primary research objectives are to critically analyze the evolving dynamics of self-presentation on social media platforms in the context of neoliberalism and to illustrate the impact of these design choices on digital creativity, narrative structures, and interactors' agency. Grounded in these objectives, my hypothesis is that the underlying structures of interactive digital media significantly shape the form and content of media, influence digital creativity, and impact interactors' narrative structures and agency. This study seeks to contribute to an understanding of the interplay between photo designing choices in interactive digital media and their profound implications on self-presentation, media forms, digital creativity, narrative structures, and interactors' agency. This study aims to provide a nuanced insight into negotiation visual presenting strategies employed by interactors in the context of neoliberalism in digital communication.
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Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,001 | 0,001 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,001 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».