Contributors

Lila Cecil received her MFA from the New School. Her stories have appeared in Anderbo.com, Prick of the Spindle, and Bookends, and forthcoming from The Denver Quarterly. She was listed in the top stories category for Open City's RRofihe Trophy for her story “Don't Drag Me into This.” She is currently working on a novel based on that story. She has received fellowships from the Ucross Foundation, Ragdale, the Virginia Center for the Creative Arts (VCCA), Playa, and the Vermont Studio Center. She lives in Brooklyn, NY.Renesha Dhanraj is an Indo-Guyanese writer who works as a nurse in Brooklyn, NY. She is a graduate of the MFA fiction program at Brooklyn College. Her work has been performed in London, long-listed for the 2023 Commonwealth Short Story Prize, and nominated for a Pushcart Prize.Sara Dudo is an adjunct professor of writing and a recent MFA graduate from the University of Nevada, Las Vegas. She has been nominated in the past for the Pushcart Prize, “Best of the Net” award, and Best New Poets anthology. Her poetry has recently been published in the Iowa Review, the Atlanta Review, the Cincinnati Review, the Idaho Review, the Portland Review, the Oakland Review, and the Southwest Review. She currently lives in New Jersey.ethan s. evans (they/them) is a writer, photographer, and Poe/Faulkner Fellow at the University of Virginia, where they teach poetry writing. They were stamped out like a Plymouth fender into this world. You can find them at https://ethansevans.com.Maureen Gibbon is the author of several novels including The Lost Notebook of Édouard Manet (2021). She is a graduate of the Iowa Writers’ Workshop and has written creative nonfiction published in the New York Times, Playboy, the Daily Mail, and Literary Hub. She lives in northern Minnesota.grace (ge) gilbert is the author of holly (forthcoming), a finalist for the 2023 Pamet River Prize.Kiana Govoni is a black writer who received her MFA in fiction from the University of North Carolina at Greensboro. Her work has been featured in or is forthcoming in Witness, Harpur Palate, The Good Life Review, Tahoma Literary Review, the Broken Plate, and elsewhere.Ian Hall was born and reared in the coalfields of southeastern Kentucky. His work is featured in Narrative, the Mississippi Review, the Journal, the Southeast Review, and elsewhere.Danielle Hubbard lives in Kelowna, BC, where she works as the CEO of the Okanagan Regional Library. Her poetry has appeared in CV2, Prairie Fire, and Best Canadian Poetry, among other places. When not writing or working, Danielle spends most of her time in swimming pools or on bicycles.Mary Ingraham is a writer whose work here in this issue is part of a larger collection on memory she titled Holding Water in My Hands. It details the slippery, fraying edges of the self and unpredictable clutch of memory, as well as its distinctive beauty in the ways the body holds both close, inside skin and bones.Dillon Thomas Jones is a writer living in Philly. He holds a BA in English (creative writing) from the University of Nebraska – Lincoln and an MFA in creative writing from the University of Pittsburgh. He writes poetry, fiction, and cultural criticism about television, film, and books. He is a Cave Canem Fellow. His first book of poetry, a study of frustration, was published by word west press in 2021. His work has appeared in Yemessee, the Indianapolis Review, Coal Hill Review, the Iowa Review, and the Shore, among others.Jessie McCarty is a transmasc writer and cataloger in Chicago. They are from Shreveport, Louisiana. Artistic director of the Runaways Lab Theater, Jessie writes to explore queer folklore, Irish translation, and cemetery.Ben Miller is a writer and artist whose writing has appeared in Best American Essays, Best American Experimental Writing, the Kenyon Review, Raritan, AGNI, New England Review, the Yale Review, the Southern Review, and Fiction International, among others. He is the author of Pandemonium Logs (2024) and River Bend Chronicle: The Junkification of a Boyhood Idyll amid the Curious Glory of Urban Iowa (2013). He has received support for his writing from the National Endowment for the Arts, the Radcliffe Institute at Harvard University, the South Dakota Arts Council, and the Schlesinger Library on the History of Women in America.Cindy Milwe is an award-winning writer whose work has been published in many journals and magazines, including 5 AM, Alaska Quarterly Review, the New York Quarterly, Poetry East, Poet Lore, the William and Mary Review, Flyway, Talking River Review, and the Georgetown Review, among others. Her first full-length collection, Salvage, was published in 2022.Sam Moe is the author of two poetry books, with two more forthcoming in 2024: Animal Heart and Cicatrizing the Daughters. She has received fellowships from Longleaf Writer's Conference and Key West Literary Seminar, as well as writing residencies from the Virginia Center for the Creative Arts (VCCA) and Château d'Orquevaux.Nawal Nader-French is a poet and educator of Lebanese and Ghanaian heritage. She is the author of a record of how the mother's textile became sound (2023), and her work appears or is forthcoming in North American Review, RHINO, Fence, Texas Review, Bayou Magazine, Rogue Agent, and elsewhere. Her second manuscript an improvised song is likely to come apart and scatter in infinite directions was a finalist for both the 2021 Center for African American Poetry and Poetics Book Prize (University of Pittsburgh) and the 2021 Autumn House Press Full-Length Poetry Contest. Nawal lives with her family in Colorado, where she teaches in the undergraduate English program and the Master of Arts in Literature specialization at Regis University.Jenn Powers is a writer and artist from New England. She resides in New York and is currently working on a mystery thriller. She has work published or forthcoming in over seventy literary journals, including Spillway, CutBank, Witness, Gemini, Lunch Ticket, and Prime Number. Her work has been anthologized with Running Wild Press, Kasva Press, and Scribes Valley Publishing, and she has been nominated for the Pushcart Prize, the Best of the Net, and the Best Small Fictions. She is also a PhD candidate in creative writing at Binghamton University. Please visit https://www.jennpowers.com for more information.Constance Renfrow's fiction has appeared in such places as the South Carolina Review, North Dakota Quarterly, Litro, Red Earth Review, and Mud Season Review. Her short story “The Urg” won the Porter House Review Prize for Fiction and was selected for the Best of the Net 2019. Her first book, Songs of My Selfie, an anthology of millennial fiction, was an IndieFAB finalist.Lindsey Schaffer is the author of two poetry chapbooks: City of Contradiction (2022) and Witch City (2024). Her work has appeared in Superstition Review, Rogue Agent, Variant Literature, and elsewhere. Lindsey has received scholarships and fellowships from the Indiana Writers Workshop, the Association of Writers & Writing Programs, the City of Bloomington, and the College of Saint Benedict and Saint John's University.Katie Setzer is a creative writing PhD student at Western Michigan University most recently published in Denver Quarterly.Benjamin Bateman is senior lecturer in post-1900 British literature at the University of Edinburgh. He is the author of The Modernist Art of Queer Survival (2017) and Queer Disappearance in Modern and Contemporary Fiction (2023).Ellie Byrne is senior lecturer in English at Manchester Metropolitan University. One of her recent publications is “Called Back: Reading Backwards in Ali Smith,” in “Queer Form in Scottish Writing,” a special issue of the Scottish Literary Review (2024). She is currently editing a collection of essays on Ali Smith, forthcoming in 2025.Anna Carastathis is a political philosopher and codirector of the Feminist Autonomous Centre for research. She is author of Intersectionality: Origins, Contestations, Horizons (2016), coauthor of Reproducing Refugees: Photographia of a Crisis (2020), and coeditor of Transfeminist International! (2023).Gabriel Duckels is assistant professor of children's and young adult literature at Texas State University. His research has been published in the Children's Literature Association Quarterly and the European Journal of Cultural Studies.Katarina Gephardt is professor of English at Kennesaw State University. She is author of The Idea of Europe in Nineteenth-Century British Travel Narratives, 1789 – 1914 (2014) and of essays on nineteenth-century British literature, travel writing, and central European literature.John Owen Havard is professor of English at Binghamton University. His recent books are Late Romanticism and the End of Politics: Byron, Mary Shelley and the Last Men (2023) and the Penguin Classics edition of Mary Shelley's The Last Man, with a foreword by Rebecca Solnit.Sam Le Butt (she/her) is an SWW DTP funded PhD researcher in English literature and environmental humanities at the University of Bristol and the University of Southampton. She was a 2023 Greenhouse Fellow at the University of Stavanger and has publications in or forthcoming in Matter. Her research focuses on the intersections of ecocriticism and monster theory, using feminist and decolonial methodologies to ask how monsters narrate ecological crisis in contemporary literature and film. Her debut fiction collection, Curious Woman, and Other Creatures, was published in 2022.Kari Nixon is a postdoctoral fellow at the Norwegian University of Science and Technology, studying sustainable disease. She is on leave from her role as a professor of English literature at Whitworth University. She is the author of Kept from All Contagion: Germ Theory, Disease, and the Dilemma of Human Contact in Late Nineteenth-Century Literature (2020).Lorenzo Servitje is associate professor of literature and medicine, with a dual appointment in the Department of English and the Health, Medicine, and Society Program at Lehigh University, which he currently directs. He holds a PhD in English from the University of California, Riverside, and an MPH from Dartmouth's Geisel School of Medicine. His monograph Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (2021) traces the metaphorical militarization of medicine in the nineteenth century.Servitje's research interests include literature and medicine, the history of medicine and public health, interdisciplinary research methods, science and technology studies, media studies, and Victorian literature. His articles have appeared in Literature and Medicine, the Journal of Medical Humanities, and Science Fiction Studies, among other publications. His most recent work focuses on antibiotics and antimicrobial resistance (AMR) in biomedical prose, popular media, and fiction. His current book project, The Science and Fiction of Antibiosis, examines the history and culture of antibiotics and antibiotic resistance. Excerpts from this book project have appeared in Osiris and in The Palgrave Handbook of Twentieth- and Twenty-First Century Literature and Science (2021).

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