Notice bibliographique
Résumé
Pedro Calderón de la Barca (b. 1600–d. 1681) had a very long life, longer than the average of his time and even longer than Lope de Vega, who died at the age of seventy-three in 1635. He started writing for the theater at a very early age (his earliest preserved works date from 1623) and continued to write until his death: his production thus spans almost sixty years, and shows, at a closer look, a noticeable evolution in the structure of the plots, in the choice of themes and generic structure, and in the use of polymetry. At the same time, certain recurring motifs and situations continue to occur, albeit treated differently, throughout Calderonian production: the conflictuality of the father-son relationship, the motif of the inauspicious horoscope, the character of the rebellious young man, the misunderstandings and difficulties with which love relationships are studded . . . A widespread but reductive view sees in Calderón the dramatist of honor, due to the centrality that this complex of values occupies in his theater; or the dramatist of the Counter-Reformation, due to his extraordinary commitment to the production of autos sacramentales, one-act plays intended to celebrate the Eucharist and, with it, the Catholic dogma of transubstantiation. For this, and for cultural and historical reasons linked to the ideological complexities of Romanticism, especially German Romanticism, which elevated him to the pinnacle of dramatic poetry, Calderón has been instrumentally transformed (and deformed) into an icon of conservatism. To a gaze free of ideological prejudices, and above all attentive to the breadth of his production, Calderón appears instead as an extraordinarily modern playwright, both in his tragedies and comedies. The existing critical bibliography on Calderón is so immense that it would be impossible to give a satisfactory account of it in a few pages; and perhaps it would not even be useful because, for the most part, these are very specific or specialized contributions that can be found in dedicated bibliographies and digital resources. Only those works and contributions will be illustrated here, that are indispensable for those who wish to approach the study of Calderón and his dramaturgy. This annotated bibliography will be therefore articulated in General Overviews and Introductory Studies, Reference Works, Bibliographies, Biographies, Texts and Textual Studies, Editions, English Translations, Journals and Conference Proceedings, Criticism, and Calderón’s Reception in Later Times.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,001 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».