Research Project: Creating the visual book through the integration of the divergent technologies of photogravure and digital processes
Notice bibliographique
Résumé
The objective of this project is to investigate the creation of book works using an integrated approach to the technologies of printmaking, photography and digital imaging. This project has been awarded a three-year grant from the Social Science and Humanities Research Council of Canada and in line with the Council’s mandate has four main components: research, creation, training and dissemination. The broad challenge of incorporating technologies will be focused by a specific research into the process of colour separation photogravures. This image-making medium will then be applied to the creation of book works and sequential imagery. Students and research assistants will receive training by working alongside the team throughout the entire project. In the aim of disseminating information, links will be established through the creation of international working groups. Knowledge will be shared during workshops, through publication of written material on the web and book arts newsletters and e-journals. The development of critical theoretical perspectives will evolve into articles appropriate for contemporary journals. Exhibitions and participation at conferences will also be key means of dissemination. Two questions motivated this project. What is the impact of the integration of digital and analogue technologies on image making and the creation of book works? How does media-related decision making influence outcome? This research functions as the catalyst for three artist/researchers to combine expertise while creating individual work and engaging in critical dialogue. The team consists of three members, Marlene MacCallum as principal applicant and David Morrish and Pierre LeBlanc as co-applicants. Marlene MacCallum has expertise in the areas printmaking, photogravure and book arts with strong skills in the area of photography. David Morrish has expertise in the areas of photography and photogravure with strong skills in the areas of digital imaging and book arts. Pierre LeBlanc has expertise in the areas of digital imaging, photography and printmaking with strong skills in the area of critical theory. The proposed research presents an opportunity to create work that is experimental in nature and encourages evolution for each artist as well as the members of the working group. Book works provide the ideal non-media specific context for integration with cross and inter-disciplinary potential. The proposal would hopefully be a catalyst within the Canadian cultural and educational arenas to further the creation, education, and dissemination of the book arts. This project is motivated by a desire to challenge and expand on our use of both traditional and contemporary reproducible technologies. The use of various media to create work has a direct bearing on both the artist and the resulting product. Through a thoughtful analysis of the decision making process at all stages of production it will be possible to propose cultural theory that will explore the work of art from inception to reception and examine how media-related decision
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,008 | 0,009 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,001 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,010 |
| Communication savante | 0,011 | 0,010 |
| Science ouverte | 0,002 | 0,007 |
| Intégrité de la recherche | 0,002 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,010 | 0,002 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».