The Routledge reader in rhetorical criticism
Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
Part I: Critic/Purpose * Must We All Be 'Rhetorical Critics'? Barnet Baskerville * Criticism Ephemeral and Enduring, Karlyn Kohrs Campbell * Another Shooting in Cowtown, Thomas W. Benson * Rhetoric, Society and the Critical Response, Philip Wander and Steven Jenkins * Rhetorical Criticism as Moral Action, James F. Klumpp and Thomas A. Hollihan * Communication, Social Justice, and Joyful Commitment, Stephen John Hartnett * Leff in Context: What is a Critic's Role? Barbara Warnick * The Critic as Empath: Moving Away from Totalizing Theory, Celeste Michelle Condit * Criticism and Authority in the Artistic Mode, Bonnie J. Dow * Rethinking Critical Voice: Materiality and Situated Knowledges, Julia T. Wood and Robert Cox *Voice and Voicelessness in Rhetorical Studies, Eric King Watts * Performing Critical Interruptions: Stories, Rhetorical Inventions, and Environmental Justice Movement, Phaedra C. Pezzullo Part II: Object/Method * Gettsyburg and Silence, Edwin Black * Words the Most Like Things: Iconicity and the Rhetorical Text, Michael Leff and Andrew Sachs * Text, Context, and the Fragmentation of Contemporary Culture, Michael Calvin McGee * Object and Method in Rhetorical Criticism: From Wichelns to Leff and McGee, Dilip Parameshwar Gaonkar * Literature as Equipment for Living, Kenneth Burke * Accidental Rhetoric: The Root Metaphors of Three Mile Island, Thomas B. Farrell and G. Thomas Goodnight * Fantasy and Rhetorical Vision: The Rhetorical Criticism of Social Reality, Ernest G. Bormann * Refitting Fantasy: Psychoanalysis, Subjectivity, and Talking to the Dead, Joshua Gunn * The Rhetoric of the American Western Myth, Janice Hocker Rushing * Spaces of Remembering and Forgetting: The Reverent Eye/I at the Plains Indian Museum, Greg Dickinson, Brian L. Ott, and Eric Aoki * Memory and Reconciliation at the Birmingham Civil Rights Institute, Victoria J. Gallagher * Show/Down Time: Race, Gender, Sexuality, and Popular Culture, Thomas K. Nakayama * From Public Sphere to Public Screen: Democracy, Activisim, and the Violence of Seattle, Kevin Michael DeLuca and Jennifer Peeples Part III: Theory/Practice * On Viewing Rhetoric as Epistemic, Robert Scott * Rhetoric as a Way of Being, Thomas W. Benson * Critical Models in the Analysis of Discourse, Thomas B. Farrell * Knowledge Claims in Rhetorical Criticism, David Zarefsky * Rhetorical Theory as Heuristic and Moral: A Pedagogical Justification, Barry Brummett * Constitutive Rhetoric: The Case of the Peuple Quebecois, Maurice Charland * Critical Rhetoric: Theory and Praxis, Raymie E. McKerrow * The Critique of Vernacular Discourse, Kent A. Ono and John M. Sloop * The Materiality of Discourse as Oxymoron: A Challenge to Critical Rhetoric, Dana L. Cloud * Another Materialist Rhetoric, Ronald Walter Greene * Nietzsche and the Aesthetics of Rhetoric, Steve Whitson and John Poulakos * Cinema and Choric Connection: Lost in Translation as Sensual Experience, Brian L. Ott and Diane Keeling Part IV: Audience/Consequentiality * The Second Persona, Edwin Black * The Third Persona: An Ideological Turn in Rhetorical Theory, Philip C. Wander * Contextual Twilight/Critical Liminality: J.M Barrie's Courage at St. Andrews, 1922, Charles E. Morris III * The Rhetorical Limits of Polysemy, Celeste Michelle Condit * Polysemy: Multiple Meanings in Rhetorical Criticism, Leah Ceccareli * The Spectacular Consumption of True African America Culture: Wassup with the Budweiser Guys? Eric King Watts and Mark P. Orbe * Vernacular Dialogue and the Rhetoricality of Public Opinion, Gerard A. Hauser * Out-Law Discourse: The Critical Politics of Material Judgment, John M. Sloop and Kent A. Ono * Enacting Red Power: The Consummatory Function in Native American Protest Rhetoric, Randall Lake * Creating Discursive Space through a Rhetoric of Difference: Chicana Feminists Craft a Homeland, Lisa A. Flores * Reflections on Criticism and Bodies: Parables from Public Places, Carole Blair * No Time for Mourning: The Rhetorical Production of the Melancholic Citizen-Subject in the War on Terror, Barbara Biesecker * The Rhetorical Ritual of Citizenship: Women's Voting as Public Performance, 1868-1875, Angela G. Ray
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,001 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle