DTECH06 - Hansel - Lorentzian Lineshaper
Notice bibliographique
Résumé
Listed below are full length MP3 tracks, from the DTECH06 CD, HANSEL "Lorentzian Lineshaper". The album is available to buy in its entirety through www.dtrashrecords.com site. "This was a tough CD to review, and even a tougher one to listen to, which is probably why I liked it so much." Hansel is Alan Fux (vocals, samples, arrangements, orchestrations) and M.X. Lopex (samples, sequences, programming). Hansel is also a clash of genres and a study of the thermodynamics of disparate sounds traversing against the grain. Pranksters and poets, Hansel is what Suicide would be today if modern computer technology was available. Little things on the CD become the crux, like the glitchcore rendition of Pat Benatar’s “Heartbreaker”, or a sample of strings, which, I believe, were taken from W.A. Mozart’s “Requiem” mass on “Cypress Millwood”. Articulated throughout the CD is the notion of a chronic collision of molecules and galaxies, best evident on the punch and duck sequence of “Hookwormz” and “The Uncertainty Principle”, but also in the “advanced technologies developed by monkeys” lyrics expressed on the latter track. The track most resembling accessibility, “We Are Important”, collapses into the manic flyswatter infestation of “Zlotnik” and a broader pattern develops, which can only be ascertained if one is willing to sift through the chaotic data streams and listen to the many paths of sound to reach an independent conclusion. " ---- Below you can download the entire DVD of the HANSEL live LORENTZIAN LINESHAPER dvd release party. Here is a review OF that dvd. http://www.hellbound.ca/2009/09/hansel-lorentzian-lineshaper-dvd/ It’s not often I get to watch a DVD recorded at a show I attended. Actually, until Hansel’s Lorentzian Lineshaper CD release DVD, I don’t think it had ever happened. When I first slid in the disc and hit play, the show was only a dim but pleasant memory in one of the industrio-tech corners of my mind. But as the introductory banter delved into Ontario traffic tickets and buried pot (with frontman Alan Fux modelling a prominent straw hat), it all started to come back to the surface. Like the album Lorentzian Lineshaper, this performance dates from 2006 – Hansel’s first live appearance on Canadian soil (or a Torontonian basement bar, if you want to be more precise). The set list delves further back, delivering a (then) eight-year-old acoustic ditty alongside tracks from 2003’s Respond_Violence and some newer material. Neither the DVD nor the show it documents are glossy high-production endeavours. But if you know either Hansel or D-Trash Records, you’ll appreciate that the (digital hardcore) rawness is part of the package. The recording captures glitches along with performance successes. An ambient conversational hum buzzes beneath the samples, live deejaying and vocals. The handheld video footage follows the musicians and also the small but interested crowd. As the lights quickly dim, the colour image shifts to surveillance grey-green. And the electric energy builds through eleven tracks to culminate in an abrupt termination that brings you back to the opening menu. It’s a DIY window into a rare and special event (and you can burn your own copy from the free downloads at d-trash.com).
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,001 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,496 | 0,029 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».