Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
DIY Ballroom / Live (2007-2008) was one of four projects commissioned by Cornerhouse, Manchester and BBC Big Screens for the first Bigger Picture National Touring Programme (alongside artists Juneau Projects, Esther Johnson, and Perry Bard). Conceived in two parts as both a video/audio work and related live participatory events, the project addressed the outdoor public siting of moving image work, the potential for altering social space and relations in the blurring of boundaries between spectatorship and participation, and the idea of ‘engineered spontaneity’; it also engaged social networking to test the widespread appeal of ballroom as an international language and amateur passion, bringing the global in relation to the local. The video/audio component comprised entirely of digital amateur footage of amateur ballroom dancers sourced online. At two events, the screenings coincided with the analogue ad hoc offline gatherings of amateur dancers on the street, during which the pre-edited video/audio work alternated with a camera feed of the live action. The project develops and expands on previous work engaging ideas around cultural dance, amateurism, migration, aspiration, the local and the international, as well as questions of the formation, duration, animation, and performance of archives, emphasising the unlimited, immaterial, and comparatively ‘accelerated’ archive of informal, amateur footage accruing on the web. Launched with Urban Screens 2007 in Manchester (the first edition took place in Amsterdam in 2005, with subsequent festivals in Melbourne, 2008, and Toronto, 2010), the work was presented at a conference and related screening programme (10 – 14 October 2007), going on to tour to BBC Big Screens in Norwich (_enter, Aurora Festival, 10 November 2007), Leeds (17 November 2007), and Site Gallery, Sheffield (18 March 2008). \n \n \nA new version of DIY Ballroom/Live, combining the original video edit with documentary footage of the live events, is currently featured in SITE Sante Fe's MARCH 2012, an online exhibition in turn presented as part of Time-Lapse (18 February to 20 May 2012). In 1969, Seth Siegelaub, pioneering supporter of conceptual art, organized March 1969 a.k.a One Month, an exhibition that existed only in catalogue form. Siegelaub invited thirty-one artists to contribute a work; one for each day of the month. Time-Lapse curators Irene Hofmann and Janet Dees have conceived of a project that is an homage to Siegelaub’s ground-breaking ‘exhibition,’ updated for today’s virtual, technological world. March 2012 will be hosted on the homepage of SITE’s website. Each day during March one work by a different artist will be featured. The participating artists are an international and intergenerational group currently working with conceptual, time-based and media-oriented practices. \n \n \nArtists include: Axle Contemporary, Daniel Bejar, Martin John Callanan, Beth Coleman + Howard Goldkrand, Ron Cooper, Matthew Cusick, Faith Denham, Brent Green, Hillerbrand + Magsamen, Jennie C. Jones, Tellervo Kalleinen + Oliver Kochta-Kalleinen, susan pui san lok, Conor McGarrigle, Linda Montano, neuroTransmitter, Huong Ngo (in collaboration with George Monteleone and Or Zubalsky), Paul Notzold, Geof Oppenheimer, Ben Patterson, Dawit L. Petros, Adrian Piper, Liliana Porter, Postcommodity, Mark Tribe, Claudia X. Valdes, and Donald Woodman. A cumulative archive will be on view in SITE’s galleries during March; in April and May an archive of all 31 works will be on view.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,002 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,002 | 0,002 |
| Méta-épidémiologie (sens large) | 0,002 | 0,001 |
| Bibliométrie | 0,007 | 0,004 |
| Études des sciences et des technologies | 0,003 | 0,008 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,007 | 0,004 |
| Intégrité de la recherche | 0,002 | 0,004 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,005 | 0,011 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle