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2011 Arts & Culture Conference

2011· article· en· W6989311477 sur OpenAlexaboutno aff

Notice bibliographique

RevueUND Scholarly Commons (University of North Dakota) · 2011
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueComics and Graphic Narratives
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésExhibitionThe artsPoliticsTheme (computing)TerrorismWorld War IIComicsPaintingGenocide
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

Co-founders of one of the most popular alternative political comics and graphics magazines ever printed, World War 3 Illustrated, are bringing three decades of artistic social commentary to local galleries in Grand Forks from their home base in New York City throughout the month of October.\nThe exhibit, "Graphic Radicals: 30 Years of World War 3 Illustrated," features highlights from the independent political cartooning magazine, which was launched by artistic activists and lifelong friends Peter Kuper and Seth Tobocman in 1979-1980 as an anti-establishment response to social problems of the day. The exhibit includes original artwork about global and hyper-local events that artists have scrutinized, documented and participated in such as the Iran-Contra affair, Tomkins Square Riot, Gulf War, genocide in the Balkins, 9/11, the War on Terrorism and Hurricane Katrina recovery efforts.\nThe exhibit is running Sept. 30-Oct. 31 at two galleries in Grand Forks: the Colonel Eugene E. Myers Gallery at the Hughes Fine Arts Center on the UND campus and the Third Street Gallery on Kittson. The exhibition is free and open to the public.\nAlso, World War 3 Illustrated artists will be coming to Grand Forks as part of the month-long exhibit. A panel discussion, featuring Kuper, Tobocman and fellow World War 3 Illustrated veteran Sabrina Jones, will be held at 3p.m., Tuesday, Oct. 25, in the River Valley Room of the UND Memorial Union. The panel is part of the "2011 Arts& Culture Conference" that also will be in held in Grand Forks. The theme for this year's conference is "Politics and the Graphic Image."\nSpecial closing receptions for the artists also are set for 4:30 p.m., Wednesday, Oct. 26, at the Col. Eugene E. Myers Gallery, then at 7 p.m., at the Third Street Gallery in downtown Grand Forks. Kuper, Tobocman and Jones are expected to be in attendance.\nKuper is probably best known for his artistic work that has appeared in Time, Newsweek, The New York Times and MAD magazine, in which he illustrates Spy vs. Spy every month. He's also a writer who was featured at the 2008 UND Writers Conference.\nThe exhibit features paintings, comics, murals, film, animation and drawings from 40 artists that contributed to World War 3 Illustrated. Among the artists represented in the exhibition are Jones, Art Speigelman, Sue Coe, Eric Drooker, Mac McGill, Keven Pyle, Rebecca Migdal, James Romberg and Marguerite Van Cook. There are more than 150 works of art included in the exhibition; the work is presented in a thematic, chronological manner.\nKuper and Tobocman established World War 3 Illustrated following the election of President Ronald Regan and a perceived tilt toward conservatism in America. Since that time, the publication -- produced annually -- has included artwork – created by a collective of artists who confront social and political issues on a specific theme. Themes addressed in World War 3 Illustrated include varied subjects such as racism, prison, AIDS, religion, sex and war.\nIn an early publication, World War 3 Illustrated captured the dangerous, apocalyptic atmosphere of New York City during the Tomkins Square riots of 1988. In the most recent issue featured in the exhibit, contributing artists captured the national mood of economic and ecological distress.\nHolland Carter, writing in a New York Times review of the exhibition, observed that "The 9/11 issue, which appeared very soon after the disaster, is still a heart-stopper, with its diary-like narratives in cartoon form and its evocation of the grief and paranoia that gripped the city".\nTuesday, October 25:\nSeth Tobocman Artist Lecture\n9:30AM, Hughes Fine Arts Center, Room 227\nSabrina Jones Artist Lecture\n12:30PM, Gillette Hall, Room 303\nWW3 Panel featuring Peter Kuper, Seth Tobocman and Sabrina Jones\n3:00PM, Memorial Union River Valley RoomWednesday, October 26\nWednesday, October 26:\nPeter Kuper Artist Lecture\n11:30AM, Hughes Fine Arts Center Room 227\n2002 Pulitzer Prize Winning Cartoonist Clay Bennet In Conversation\n3:00PM Hughes Fine Arts Center, Josephine Campbell Recital Hall\nThis exhibit is supported in part by a grant from the North Dakota Council on the Arts, which received funding from the state legislature and the National Endowment of the Arts, as well as, the UND Departments of Art and Design, UND Communication Program, the UND College of Arts & Sciences, the UND Office of the Provost and The Myers Foundations.

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,000
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesCharge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,749
Score d'incertitude au seuil0,995

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0000,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0010,001
Communication savante0,0000,001
Science ouverte0,0010,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0060,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,108
Tête enseignante GPT0,218
Écart entre enseignants0,110 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2011
Routes d'admission1
Résumé présentoui

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