Jessye, Eva, collection, 1885-1994
Notice bibliographique
Résumé
Papers and collected materials of Dr. Eva Jessye, world-renowned choral director, writer, composer, actress, and celebrated authority on Afro-American music, speech, literature, and art. Associated with this collection are books and recorded music donated by Eva Jessye. These additional materials are kept in the Axe Library Special Collections and can be identified in the library online catalog. Born in Coffeyville, Kansas, on January 20, 1895, Eva Alberta Jessye started her academic career in the public schools of Coffeyville and Iola, Kansas. At age 13 she attended Western University in Quindaro, Kansas, graduating in 1914. She went on to Langston University in Langston, Oklahoma where she received a lifetime certificate in teaching. Jessye taught in elementary schools in Taft, Haskell, and Muskogee, Oklahoma before she became a reporter and columnist for the Baltimore Afro-American in 1925. In 1926 she joined a choral group in New York called the Dixie Jubilee Singers. This group would eventually become the world-renowned Eva Jessye Choir. The choir performed spirituals, work songs, ballads, ragtime, jazz, and light opera in a variety of mediums, such as radio, film, and stage. They were regulars on the “Major Bowes Family Radio Hour” and the “General Motors Hour.” In 1927 the Dixie Jubilee Singers worked in Harry A. Pollard’s film, Uncle Tom’s Cabin. The same year, Dr. Jessye compiled and published a critically acclaimed collection of songs titled My Spirituals. In 1929 King Vidor directed Hallelujah, the first musical motion picture with an all-Black cast. The film featured the Dixie Jubilee Singers with Jessye as choral director. Dr. Jessye was appointed choral director for the New York production of the Virgil Thomson and Gertrude Stein opera, Four Saints in Three Acts in 1934. In 1935 Jessye was selected by George Gershwin to be choral director for the original production of his 1935 folk-opera, Porgy and Bess. For the next three decades, Jessye was associated with almost every Porgy and Bess production worldwide, earning the unofficial title of 'curator and guardian of the score.’ Eva Jessye was also involved in humanitarian efforts. Her experiences as a black woman during the Jim Crow era influenced her involvement in the later Civil Rights movement. She collaborated with African-American notables Marian Anderson, Mary McLeod Bethune, Julia Davis, Eubie Blake, Langston Hughes, Martin Luther King, Jr., and Paul Robeson. In August 1963, Martin Luther King, Jr. selected the Eva Jessye Choir as the official chorus of the historic March on Washington. The choir performed “We Shall Overcome” and “Freedom Is the Thing We’re Talking About.” Tom Mboya, founder of Kenya’s Independence Movement Council and president of the People’s Convention Party, later used the recordings of these songs during Kenya’s struggle for independence. During the 1960s Eva Jessye also appeared in the motion pictures Black Like Me and Slaves. Dr. Jessye returned to academia in her later years. She established the Eva Jessye Afro- American Music Collection at the University of Michigan in Ann Arbor in 1974. She established the Eva Jessye Collection at Pittsburg State University in Pittsburg, Kansas in 1977 and served as that university’s Artist-In-Residence from 1978 to 1981. During her lifetime Jessye received honorary degrees from Wilberforce University, Allen University, and Southern University, including an honorary doctorate. She also received numerous citations from government, educational, and musical organizations. In 1981, Governor John Carlin of Kansas declared Dr. Eva Jessye to be Kansas Ambassador for the Arts. In a 1984 interview by Jacob U. Gordon, Jessye was asked what she considered some of the drawbacks of being black and elderly in Kansas. Her reply was, "I often think if I had been white, where would I have been? Perhaps not anywhere. Because I think I had it made, you know. Who's that who said he took the path less traveled by? Robert Frost? I took the color less desirable and it made all the difference." Dr. Eva Jessye died on February 21, 1992 at the age of 97 in Ann Arbor, Michigan.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,003 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,005 | 0,008 |
| Études des sciences et des technologies | 0,004 | 0,001 |
| Communication savante | 0,005 | 0,002 |
| Science ouverte | 0,001 | 0,001 |
| Intégrité de la recherche | 0,001 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,202 | 0,079 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».