Notice bibliographique
Résumé
Nature Morte is pleased to announce „Serial Pursuit,“ a group exhibition in which recent works in various media by David Mabb, Manisha Parekh, Dayanita Singh and Audiobombing Crew will be brought together to present an exploration of art works created as sets or in sequences. \n \nThe highlight of the opening night will be a performance by Audiobombing Crew. Founded by Markus Zull and Stephan Ebersthäuser in 2003, the sound art collective creates serial sound loops, which are collaged together from analogue sources. The duo works with technical defects and their dynamic manipulation. By mixing Indian pop songs sourced from Bollywood musicals and spoken audio materials, the artists develop sound loops whose repetitive nature resembles the tone of ancient mantras. Audiobombing Crew live and work in Pfaffenhofen in Southern Germany. They have performed in venues such as the Kölner Philharmonie, the Schauspielhaus Düsseldorf and at Gasteig München. \n \nIn David Mabb’s works, "Rhythm 69" and "Two Squares," various wallpaper and fabric designs of William Morris are spliced together with the avant-garde art of El Lissitzky and Hans Richter. Presented as paintings arranged in formalist grids which mimic the regulative practices of industrial production, Mabb’s smash-ups of the now haute-bourgeois decorative motifs and the once radical but now sentimentalized utopian experiments are steeped in the irony implicit in negotiating a politicized art practice today. David Mabb (b.1959) lives and works in London. He has exhibited widely in both solo and group exhibitions at venues such as the Liverpool Biennial, the Delaware Centre for the Contemporary Arts, Leo Kamen Gallery in Toronto, the CIMA Gallery in Calcutta and the British Council in New Delhi. \n \nDayanita Singh's work "Museum of Innocence (The Madras Chapter)" is a photographic portrait of the MGR Memorial House in Chennai, India. The former private residence of M.G. Ramachandran is now a museum that commemorates the beloved Tamil actor and politician, where his personal belongings are displayed as relics. Singh uses the camera’s special ability to capture loss to create the memory of a memory held up by a lattice of formal repetition. Dayanita Singh (b. 1960) lives and works in New Delhi. Her work was included in the exhibition "Illuminazione" at this year’s Venice Biennale and she has held numerous solo exhibitions in prestigious venues such as the Hamburger Bahnhof Museum in Berlin, the Isabella Stewart Gardiner Museum in Boston, Recontres Arles in France, Frith Street Gallery in London, Fondacion Mapfre in Madrid, and Shiseido Gallery, Tokyo. \n \nIn Manisha Parekh’s new gouache paintings and graphite drawings on paper, her imagery is bio-morphic and seemingly automatic. Successive images build into a canon of identity and cultural inheritance, both Indian and international. Manisha Parekh (b. 1964) lives and works in New Delhi. Solo exhibitions of her works have been presented at Nature Morte, New Delhi; BodhiArt, New York; Berkeley Square Gallery, London; Sakshi Gallery, Mumbai; The British Council, New Delhi; and The Foundation for Indian Art, Amsterdam.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,003 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,001 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,001 |
| Communication savante | 0,008 | 0,005 |
| Science ouverte | 0,001 | 0,005 |
| Intégrité de la recherche | 0,002 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,698 | 0,472 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».