Home-body/Kitchen Table Solo Show (2020 – 23) exhibited in 'Rupture, Rapture: Womxn in Collage'
Notice bibliographique
Résumé
Home-body/Kitchen Table Solo Show, is a composite installation of a series of works made during the pandemic - from within sixty weeks of shielding: In this context, one type of interior is the shell - a networked container maintained by labour and producing waste, reaching for community and receiving shopping. Another interior is the body within, navigating complex dependencies and desires. These works were all made on the edges of a kitchen table and draw on Mendelson's, often positive, experiences of the home-as-skin. A new, painted platform was produced for this exhibition, allowing the 'kitchen table' itself to fold into the work. ‘Rupture, Rapture: Womxn in Collage’ is a publication, residency and survey exhibition. 25 August - 23 September 2023 Patricia Fleming Gallery, Glasgow 'Rupture, Rapture: Womxn in Collage' brings together new and existing works, alongside special commissions to showcase collage in an expanded field, incorporating multimedia, sculpture, sound and performance art. Displaying over twenty collage works by 14 womxn artists, this exhibition challenges the notion of collage as a fixed category or form—instead revealing collage as a feminist praxis of transformation, rupture, and collision. Commissioned works will be presented by 16NSt resident artists’ Edie Baker, Gabrielle Lockwood Estrin, and Hannan Jones, developed in-situ at Patricia Fleming Gallery, along with a collage installation and performance from Jen DeNike (16th Sep), exhibiting the artist’s work in Scotland for the first time. New and historic work will be shown by Sam Ainsley, Claire Barclay, Barbara F. Kendrick, Janie Nicoll, Kate V. Robertson, and Catherine Street. Significant existing works will be displayed by Louise Hopkins, Zoë Mendelson, Victoria Morton, and Alberta Whittle. Curated by Aga Paulina Młyńczak and Nell Cardozo with support from Kelly Rappleye (16NSt Curatorial Collective), Sam Ainsley (artist and former Head of Glasgow School of Art’s MFA) and artist Janie Nicoll, this survey exhibition hosted by Patricia Fleming Gallery displays a diverse repertoire of over twenty collage works, several of which have never been shown before. By putting multimedia sculptural installations together with paper works, Młyńczak and Cardozo aim to expand the notion of what contemporary collage can do. Displaying work from womxn artists at various stages in their careers who use expanded collage processes, this exhibition aims to create an inter-generational feminist dialogue. 16NSt’s Rupture, Rapture: Womxn in Collage project comprises an emerging artists’ residency and publication alongside this exhibition to trace an alternative, feminist lineage of collage in everyday practices by womxn and queer communities, which have traditionally been refused art historical recognition, from scrapbooking to collage poetry. These homegrown acts of cultural transformation inform the ethos of cross-media experimentation and re-assemblage of everyday material that is shared across the works in this exhibition. PUBLICATION Accompanying the exhibition will launch a limited-release publication ‘RUPTURE, RAPTURE’, featuring rarely-seen collage works by Maud Sulter alongside a critical survey of contemporary womxn’s collage in Scotland
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,006 | 0,001 |
| Communication savante | 0,003 | 0,001 |
| Science ouverte | 0,001 | 0,005 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,159 | 0,026 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».