Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819
Notice bibliographique
Résumé
Amidst ambivalent attitudes held toward the guitar, Italian-born guitar virtuoso Mauro Giuliani (1781-1829) composed and performed in Vienna from 1806 to1819. Giuliani’s time in the city was punctuated by his participation in the market for goods related to the Congress of Vienna. He entered this market by gearing his performances and publications towards representing the Congress’s mandate of cooperation and conversation, as well as the recent interest in Austrian folk songs alongside patriotic sentiments for an emerging Austrian state. Giuliani’s solo guitar performances were defined by his unique ability to overcome what critics regarded as the guitar’s seemingly unsurmountable deficiencies. His active participation in the virtuoso concert culture of Vienna—a market that was removed from a growing “serious” concert culture—was defined by his increasing involvement in the commercially-driven subscription concert. Underlying Giuliani’s participation in the Congress of Vienna and the popular virtuoso concert was his interest in the burgeoning folk music movement. Related to Austrian patriotic sentiments, Giuliani’s folk-inspired Ländler and variation sets reveal his preoccupation with a more quotation-based approach to folk song composition, an approach that—while attractive in terms of print music sales—jeopardized the longevity of his folk-inspired works by obscuring his authorial ingenuity. The early nineteenth century is regarded by guitar scholars as the “Golden Age of the Guitar,” and Giuliani is often positioned as one of the foremost contributors to the development of classical guitar repertoire during this time. However, I argue that Giuliani’s approach to guitar composition and performance reveals not a desire to cultivate a solo classical guitar repertoire, but a concerted effort to present the guitar, and by extension, himself, as a commodity for Viennese markets associated with the Congress of Vienna celebrations, the lucrative virtuoso concert, and the burgeoning folk music movement. Underlying each of these markets was a demand for public and private performances, as well as a desire for printed music. The result of Giuliani’s efforts were performances and works that, while meant for consumption by the wider public, engage with the intimate, easily digestible, and sociable aspects of Vienna’s musical culture.
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Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,002 |
| Communication savante | 0,004 | 0,001 |
| Science ouverte | 0,000 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,016 | 0,002 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».