Pourquoi ce travail est dans la base
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Notice bibliographique
Résumé
Distributed by Terra Nostra FilmsProduced by Daniela Contreras and Nicolas DéfosséDirected by Xun Sero2022, Streaming, 80 mins Mamá is a haunting feature-length documentary written and directed by Xun Sero. The film is a deeply personal portrait of his mother, Hilda Rodríguez Méndez, as he interviews her about her experiences as a wife, mother, and woman in her community. The film takes its time and oscillates between beautifully composed shots of rural Mexican scenery and many intimate close-ups of Méndez. The detailed shots seem to mimic the viewpoint of a small child of their mother. Conversation between Hilda and Xun centers around the long-held patriarchal structures that continue to harm women and limit roles in the family and community. Briefly Sero reflects on how, when he was younger, he mistreated his mother by internalizing his father’s harsh characterizations of her. The film discusses sensitive topics such as sexual assault and domestic violence. Through telling her story, Hilda seems to release some of the emotional burden it has held over her for years. Ultimately, she shares her heartbreaking story with a sense of pride, emphasizing the stability she found in her work and how it enabled her to support her family as a single mother. Mamá is highly recommended for programs and curriculum that focus on Women’s studies, Mexican culture, rural studies, and sexual violence. Awards:“Diosa de Plata” Award for Best Mexican Documentary Feature Film (XLVIII Delivery of “Diosas de Plata”, Pecime, Film Journalists of Mexico); José Rovirosa Award for Best Mexican Documentary (XXVII José Rovirosa Award, Filmoteca of the National Autonomous University of Mexico ;UNAM, Mexico City); Audience Award for Best Documentary Feature Film (XXXV Cinélatino Rencontres de Toulouse, France); Valdevy Award for Best Documentary (XXVII Festival Les Écrans Documentaires, Paris, France); Award for Best Documentary Feature Film (XXIII imagineNATIVE Film + Media Arts Festival, Toronto, Canada); Excellent Visual Anthropology Award (XVII Ethnocineca – International Documentary Film Festival Vienna, Austria); Silver Lessinia Award for Best Film (XXIX Film Festival della Lessinia, Italy); Best Feature Film Award (XVII Indifest ;Festival De Cinema Indígena De Barcelona, Spain); IlLA Cinema Award for Best Documentary Feature Film (IILA – International Italian-Latin American Organization); LASA Award of Merit in Film (XIII LASA Latin American Studies Association Film Festival, Vancouver, Canada); Special Jury Award FEISAL (XXXVII Guadalajara International Film Festival, Mexico); New Filmmakers Award (XIV Latino & Native American Film Festival, Connecticut, USA); Audience Festival Favorite Award (XIV Latino & Native American Film Festival, Connecticut, USA); Jury Award Feature (VII NAIFF-Nepal America International Film Festival, Maryland, USA); Award for Best Documentary (X Anaconda International Award, El Chaco Argentino, Bolivia); Best Documentary Award, Indigenous Category (XIII Encuentro Contra el Silencio Todas las Voces, Mexico City, Mexico); Award for Best Documentary Debut Film “Fernando Báez” (XV Festival de Cine Global de Santo Domingo, Dominican Republic); FEISAL Award (XV Festival de Cine Global de Santo Domingo, Dominican Republic); Jury Award for Best Documentary Feature (IV MICMX International Film Festival (Mexico city); Honorable Mention, International Feature Film Competition (XXIX CinEco Serra da Estrela International Environmental Film Festival, Portugal); Honorable Mention of the Lola Award for Best Feature Film (XII Philadelphia Latino Film Festival, United States); Honorable Mention of the Young Jury (VI Black Canvas – Contemporary Film Festival, Mexico); Honorable Mention, Documentary Feature Film competition (XV Festival Zanate, Mexico); Honorable Mention of the Silver Deer Award-Venado de Plata (III Festival De Cine Antropológico Del INAH, Miradas Sin Tiempo, Mexico City, Mexico)
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,006 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,005 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle