Notice bibliographique
Résumé
Distributed by Bullfrog Films, PO Box 149, Oley, PA 19547; 800-543-FROG (3764)Produced by Charles Wilkinson and Tina SchleisslerDirected by Charles Wilkinson and Tina Schleissler2023, Streaming, 23 mins In Beyond Being Silenced: Gyaa Isdlaa viewers have the opportunity to view a potlatch held in Hydaburg, Alaska and hosted by members of various Haida clans. A potlatch is defined as a ceremonial feast, a social event, or a celebration (such as a wedding) practiced by the indigenous people of the Pacific Northwest in North America. During potlatch ceremonies participants might either distribute or destroy property to display wealth or boost status. This short documentary offers information related to the potlatch and how the Haida people on either side of the American/Canadian border have restored many of their traditions despite years of repression and being silenced. It features the Haida artist, Robert Davidson who has helped advance Haida culture and tradition for decades through his art. In 2000 Davidson carved a totem pole as a testament to the mistreatment suffered by the indigenous people of the Pacific North Coast at the hands of colonial settlers who banned the potlatch in the late nineteenth century. In 2018 the artist crafted a totem pole called “Beyond Being Silenced (Gyaa Isdlaa)” which represented a newer, more positive reality which included hosting the potlatch featured in this film. Davidson also recreated tribal crests for various clans in his native Alaska that had been lost. These beautiful crests are displayed during the potlatch ceremony in Beyond Being Silenced. This title includes interviews with Davidson and his family in which they discuss the significance of the potlatch, a concept difficult to comprehend even amongst the Haida people as it had been outlawed for decades. They emphasize how the potlach brings out history, maintains traditions, and serves as an opportunity for the Haida to live (and learn about) their culture. Oral histories are shared at potlatches, and they provide an opportunity for all generations to represent or demonstrate who they are. This film acknowledges the traditions found in Haida culture and has numerous potlatch scenes that include individuals gathered together in native clothing or dressed as local animals. The potlatch participants come from multiple generations. They sing, dance, chant, and celebrate the event with food. One moment in the film shows potlatch attendees recording traditional dances with their iPhones. This juxtaposition of modern technology with centuries-old traditions gives the film both a poignant and an optimistic feeling. Beyond Being Silenced also has beautiful scenery of Pacific Northwest sunsets and nature settings including a moment on a prawn fishing boat. The filmmakers have explored Davidson and his art in earlier films such as 2020’s Haida Modern and 2022’s Gyaangee: Beyond Being Silenced. This film provides a continuation of these earlier stories and ends positively. Beyond Being Silenced: Gyaa Isdlaa offers a variety of formats and licenses that can include public performance rights. It is available to stream on Docuseek and is recommended for advanced high school classes or college courses in such disciplines as Anthropology, Canadian/US History, Native American Studies, Psychology, or Sociology. The film is short enough to be weaved into lesson plans or assigned as homework in these subject areas.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,002 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,007 | 0,006 |
| Communication savante | 0,006 | 0,005 |
| Science ouverte | 0,000 | 0,005 |
| Intégrité de la recherche | 0,002 | 0,005 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,040 | 0,008 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».