Notice bibliographique
Résumé
Distributed by Film MovementProduced by Sona Jo and Hyucksang LeeDirected by Gyuri Byun2021, Streaming, 93 mins A deeply moving account of maternal love and support in the face of societal prejudice and bureaucratic stringency, Coming to You captures the journeys of two young Koreans whose sexual identities bring them anguish as well as joy in a deeply conservative nation and whose middle-class mothers move from shock to acceptance to fierce support of their children and a burgeoning social justice movement. The film reveals triumphs of individual acceptance and advocacy in the face of hostility and indifference as well as the young men’s sorrow around social and institutional barriers to living freely as themselves with a full slate of civil rights. After suicide attempts, breast and ovary removal surgeries, and hormone treatment to transition from female to male, Hankyeol must apply for legal gender change to move past the risks and difficulties of living as a “non-human,” in their words, in a limiting limbo where physical body and legal status do not match. Yejoon moved to Toronto in hopes of living freely as a gay man but faces alienation and loneliness; he leaves the West’s more open LGBTQIA environment to return to Korea to be with his boyfriend and forge a life together. They share their hopes, dreams, and despair in disarming and straightforward footage and voice overs. Their mothers share their own journeys during candid scenes and vulnerable moments, describing their initial anguish and confusion when learning of their children’s sexual identities and their paths to becoming their sons' most passionate champions. Hankyeol’s mother Nabi and Yejoon’s mother Vivian both find support and community at PFLAG (Parents and Families of LGBTQIA People in Korea), a human rights advocacy group where they meet, bond, and share with other parents of queer children. Some of the film’s strongest moments feature these women who never planned on becoming activists but who find strength and community at PFLAG and speak out to judges, at rallies and parades, to fellow allies and angry protestors, and in defense of their sons’ rights to find love and live their lives peacefully and safely. Gyuri Byun’s film is a powerful portrait of how young lives full of promise are frustrated by societal intolerance, discrimination, and government control, yet are buffered and lifted up by unconditional loving support. Featuring affecting scenes of routine as well as monumental moments in the lives of these families, Coming to You follows their passages with intimate and seamless direction. Hankyeol’s second hearing is successful when a judge approves the gender change. Yejoon’s family embraces his boyfriend and his mother, who also finds support at PFLAG. These milestones are inspiring, but all remain clear-eyed at the homo- and transphobic bigotry in place all around them. Still, scenes of Vivian marching alongside Yejoon with the sign “I love my gay son” and Nabi and Hankyeol sharing a special fist bumping handshake at family court make achingly clear that love and affection between mother and child is not bound by gender or legal status. Awards:Documentary Award and Special Mention, Korean Film Competition, Jeonju Film Festival; Brave New Docs Award, DMZ International Documentary Film Festival
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,006 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,000 | 0,002 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,004 | 0,007 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».