Notice bibliographique
Résumé
Woody Herman's music is sweeping nation, my mother wrote in 1945, and Kansas City, where she and Dad went to college, was jazz hub. One year before they married, my parents--Max and Bobbie--were dating and caught up in swirl of Kansas City activities: shopping, going to shows, dancing all in clubs. Dad drove and they often bounced from town to town following music and twisting to the Sometimes they stopped along way picnics where Dad cooked steaks over wood fire. In letter dated October 7, 1945, one of many she wrote to my grandmother throughout her life, my mother describes an all-nighter filled with excitement and music. began with trip to Topeka where Dad bought a beautiful brown suit and my mother purchased a black slip and bra, good white scarf, and black purse. She was ready on town: At last I have my outfit. They drove to Lawrence to pick up their friends, Neal and Shirley, at bus station, and headed off KC, arriving about six. We stopped at Interlude, and had steaks and listened to Joshua Johnson, who played piano boogie. main event though was Woody Herman. He's Coming, newspaper clipping that fell out of envelope of one of my mother's letters announced, The Country's Greatest Dance Band. Herman would be in Kansas City for one night in his only Midwest appearance. His orchestra included Frances Wayne, as vocalist, and other stars of jazz scene: Chubby Jackson, Flip Phillips, and Bill Harris. My parents and their friends arrived at municipal auditorium about eight thirty. It is huge building one block square, my mother wrote, agog. They worked their way through crowd to front of room, right below stage, and there when musicians took their places. In 1945, Woody Herman's star was on rise. He and his orchestra, called The Herd, just signed contract with Columbia, recording hits like Laura and Caldonia. next year Herman played Carnegie Hall and won awards from Billboard, Metronome, and Esquire as top band in country. My mother's reaction was mixed. musicians were peculiar looking and Herman's style was too flashy her taste. Even on sweet and mellow pieces he always has to end it up with jump and jive. She preferred more conventional sound of Les Brown, but admitted that musicians in Herman's band sure could play and that audience was wild about it. room was too crowded dancing. We stood there against stage two hours, my mother complained. Finally Shirley & I could stand it no longer because our feet killing us. two of them went to balcony and watched from there until 12:45 AM when band stopped. By time concert was over, all of restaurants in city jammed with people so they headed to Lawrence to drop off Neal and Shirley, eating in Ottawa, town along way, and talking until four thirty in morning. We to talk fast and furious to keep awake. Later they ate breakfast in Wamego and reached Manhattan at eight o'clock where my dad dropped off my mother on his way to start work, without sleep, at nine. What happened to woman I married? my dad once asked. My stepmother mentioned question while sorting old photos at her house in Kentucky last year. was conversation that she and my dad when they first met in Saint Louis in 1959 or 1960, consoling each other messes that their marriages become, and it's good question. My mother clearly was attracted to excitement that my dad offered. She liked pretty outfit with black purse and fancy undergarments, danced boogie-woogie, stayed up all to hear jazz, ate steak dinners, had more fun--as in phrase we more fun--at show Anchors Aweigh, clowned around with pepsters in her sorority, ate raw eggs heck of it, and asked my dad out to gold-digger's ball. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,002 | 0,001 |
| Études des sciences et des technologies | 0,001 | 0,000 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,003 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».