Situating the Absent Subject: Jean Hales and the 1928 Canadian Olympic Trials
Notice bibliographique
Résumé
Within scholarship, personal subjective experience is an important source of academic knowledge. Reflecting on studies of sport over the past two decades, Pirrko Markula suggests that many researchers have engaged in feminist work deriving from women's personal sport explaining that studies have examined ... the meanings individual women have placed on physical activity and how these meanings have been shaped by societal power relations. (1) In the words of Judith Butler, this approach suggests commitment to grounding theory in lived experience, and in revealing that way in which the world is produced through the constituting acts of subjective (2) In sport history, the agenda of centralizing women's knowledge(s) and women's subjective experience has been taken up through the increasing incorporation of oral histories and personal reminiscences as a methodological recognition of diversified perspectives on the past. Historically, women's participation in international sport has been tenuous and often contested. In the 20th century, sport, leisure, and physical activity have been significant social venues where men and women have learned to relate to one another, have struggled for authority and power, and celebrated lifestyle and community values. International sport festivals, such as the modern Olympic movement offer many examples of the diverging experiences of men and women in sport, experiences that have been appreciably different, in terms of access to rewards, opportunities to participate, and the cultural norms associated with physical activity. Susan Birrell and Diana Richter argue that theorizing of sport should be grounded in women's unique experiences, suggesting that it is only through women's experience that sport can be transformed from an alienating practice into one that has relevance within their lives.3 As Gerda Lerner asks, What would history be like if it were seen through the eyes of women and seen through the values they define? (4) Each woman's perception of her experience has implications for how we construct women's sport involvement and the meaning of sport in the lives of women. It is this methodological turn-exploring the complexities, challenges, and potential of locating the lived experiences of individual female athletes-that forms the basis of this paper. Using examples from an interview with Jean Hales, a Canadian track and field athlete in the late 1920s, I aim to explore the complexities of locating personal experience within the cultural discourses that construct that experience while simultaneously considering my role as the historian interpreting her experience. In this paper I explore the construction of women's historical memory. As historian Joan Sangster suggests: Asking why and how women explain, rationalize, and make sense of their past offers insight into the social and material framework within which they operated, the perceived choices and cultural patterns they faced, and the complex relationship between individual consciousness and culture. (5) In the words of Dorothy Smith, focusing on the lived experiences and reminiscences of Jean Hales, is method that, at the outset of inquiry, creates the space for an absent subject, and an absent experience that is to be filled with the presence and spoken experience of actual women speaking of and in the actualities of their everyday worlds. (6) This guiding perspective informs both how we 'do' history and how we understand and locate women's lived experiences. The six Canadian women-the Matchless Six-who competed for Canada at the 1928 Olympic Games in Amsterdam are a familiar part of Canadian Olympic history. However, these were not the only women who shared the dream of representing Canada. Born in Hamilton, Ontario, Jean Hales travelled throughout Ontario in the 1920s representing the Hamilton Athletic Club in the 100-yard dash, high jump, and a variety of other track and field events. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,016 | 0,005 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,004 | 0,002 |
| Communication savante | 0,001 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».