MétaCan
Menu
Back to cohort
Record W111756175 · doi:10.1177/1077699013506340

Book Review: <i>The Sweet Sixteen: The Journey that Inspired the Canadian Women’s Press Club</i> , by Linda Kay

2013· article· en· W111756175 on OpenAlex
Ellen Gerl

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueJournalism & Mass Communication Quarterly · 2013
Typearticle
Languageen
FieldSocial Sciences
TopicCanadian Identity and History
Canadian institutionsnot available
Fundersnot available
KeywordsClubJournalismMedia studiesHistoryNarrativeWhite (mutation)Art historySociologyArtLiteratureMedicine

Abstract

fetched live from OpenAlex

The Sweet Sixteen: The Journey that Inspired the Canadian Women's Press Club. Linda Kay. Montreal, Canada: McGill-Queen's University Press, 2012. 228 pp. $34.95 hbk.In June 1904, sixteen Canadian journalists boarded a luxurious train car bound for the St. Louis World's Fair. It was a newsworthy trip for more than one reason: they were female and about to report on a global exposition, undoubtedly the biggest story of the year. At the turn of the century, the few dozen women who worked as journalists in Canada typically penned articles on etiquette and social events for women's pages, and they rarely traveled for assignments. That was about to change.In this enjoyable road-trip narrative, Linda Kay, associate professor and chair of Concordia University's Department of Journalism, describes a journey that helped Canada's female journalists achieve professional legitimacy and led to the formation of the Canadian Women's Press Club (CWPC). As the first women's press club in the world to claim a national membership, the CWPC would endure 100 years.But the sixteen women traveling in the Canadian Pacific Railway (CPR) car could not know any of this. Dressed in the day's fashion of floor-length tweed skirts, shirt- waists, and large-brimmed hats, the women were excited and a little nervous. For some, the assignment marked their first reporting venture. The novices also were awe- struck by the few stars among them, such as Kathleen Blake Coleman of the Mail and Empire, one of Canada's largest newspapers. Known by her readers as Kit Coleman, she had become famous for covering the 1898 Spanish American War from Cuba.CPR sponsored the journalists' ten-day trip. The railway wanted to entice immi- grants to western Canada and thus ensure the transcontinental line it had completed in 1885 would enjoy brisk traffic. Its publicity-savvy officials knew a group of women traveling alone to the World's Fair would garner a great deal of press coverage about Canada and their company, and they were right. The railway's public relations appara- tus, although not a focus of this book, is an interesting side note.The author deftly places the women's stories within the political and social context of Canada at the start of the twentieth century. In 1904, women in Canada did not have the right to vote or hold public office. Married women found it difficult to continue professional careers. Kay shows that the cultural differences of the country's dual language citizenry are reflected in this group of journalists, which was evenly split between English- and French-speakers. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies, Scholarly communication, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Commentary · Consensus signal: Commentary
Teacher disagreement score0.285
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0090.001
Scholarly communication0.0030.001
Open science0.0030.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.248
Teacher spread0.232 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it