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Record W1482076988 · doi:10.7202/1012355ar

A Perfect Accord: Music and Gesture in Francis Poulenc’s Les Biches

2012· article· en· W1482076988 on OpenAlex
Christopher Moore

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueLes Cahiers de la Société québécoise de recherche en musique · 2012
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsBalletMusicalChoreographyDanceVisual artsArtGestureEmbodied cognitionAestheticsLiteratureComputer scienceArtificial intelligence

Abstract

fetched live from OpenAlex

The critical reception surrounding the ballet Les Biches (1924) reveals that the work’s initial success was largely attributable to the aesthetic synergies that unified the musical and gestural components of the work. Indebted to musical and visual themes derived from high-society fashion, and receptive to the aesthetic lure of contemporaneous (and specifically Stravinskian) neoclassical experiments, Francis Poulenc’s music and Bronislava Nijinska’s choreography display complementary approaches towards the artistic juxtaposition of past and present. This article draws on the reception of both the Monte Carlo and Parisian premieres of this Ballet russes production and emphasizes how Les Biches constituted a landmark achievement in Poulenc’s musical development and early career.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Research integrity, Insufficient payload (model declined to judge)
Consensus categoriesResearch integrity
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.720
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0040.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.075
GPT teacher head0.324
Teacher spread0.249 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it