MétaCan
Menu
Back to cohort
Record W1482076988 · doi:10.7202/1012355ar

A Perfect Accord: Music and Gesture in Francis Poulenc’s Les Biches

2012· article· en· W1482076988 on OpenAlexaffvenue
Christopher Moore

Bibliographic record

VenueLes Cahiers de la Société québécoise de recherche en musique · 2012
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsBalletMusicalChoreographyDanceVisual artsArtGestureEmbodied cognitionAestheticsLiteratureComputer scienceArtificial intelligence

Abstract

fetched live from OpenAlex

The critical reception surrounding the balletLes Biches(1924) reveals that the work’s initial success was largely attributable to the aesthetic synergies that unified the musical and gestural components of the work. Indebted to musical and visual themes derived from high-society fashion, and receptive to the aesthetic lure of contemporaneous (and specifically Stravinskian) neoclassical experiments, Francis Poulenc’s music and Bronislava Nijinska’s choreography display complementary approaches towards the artistic juxtaposition of past and present. This article draws on the reception of both the Monte Carlo and Parisian premieres of this Ballet russes production and emphasizes howLes Bichesconstituted a landmark achievement in Poulenc’s musical development and early career.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.156
Threshold uncertainty score0.310

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0090.018
Scholarly communication0.0040.001
Open science0.0000.002
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.075
GPT teacher head0.324
Teacher spread0.249 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2012
Admission routes2
Has abstractyes

Explore more

Same venueLes Cahiers de la Société québécoise de recherche en musiqueSame topicMusicology and Musical AnalysisFrench-language works237,207