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Record W1484186811 · doi:10.21083/csieci.v7i1.1229

In Praise of Improvisation in Brazilian Soccer: Modernism, Popular Music, and a Brasilidade of Sports

2011· article· en· W1484186811 on OpenAlex
Bernardo Borges Buarque de Hollanda

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueCritical Studies in Improvisation / Études critiques en improvisation · 2011
Typearticle
Languageen
FieldSocial Sciences
TopicPhysical Education and Sports Studies
Canadian institutionsnot available
Fundersnot available
KeywordsPraiseImprovisationFolkloreModernism (music)Popular musicArtLiteratureLegendIdentity (music)PoetryJazzNational identityParadeHistoryAestheticsArt historyVisual artsPolitics

Abstract

fetched live from OpenAlex

This essay presents a discussion on Modernist discourse about Brazilian soccer during the 1920s, 1930s, and 1940s. Though extant in disperse and incidental form, it is possible to compile a series of references about the Brazilian soccer phenomenon among the Modernist authors of São Paulo (Mário de Andrade, Oswald de Andrade, and Antônio de Alcântara Machado) and the Regionalists of the Northeast (Gilberto Freyre and José Lins do Rego). Based on poems, short stories, chronicles, and essays, this paper seeks to show how, starting in 1940, the Modernist discourse enthroned soccer in its project of constructing a Brazilian culture and identity. To do so, it seeks to show how the discourse of a Modernist Brazilianess (brasilidade)—already present in popular music and folklore during the 1920s—gave soccer its legitimacy in the cultural and artistic environment of the 1940s.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.005
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.505
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0000.002
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.115
GPT teacher head0.426
Teacher spread0.311 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it