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Record W1494647917 · doi:10.7202/1017691ar

La Revue populaire et Le Samedi – Objets de diffusion de la modernité photographique au Québec, 1935-1945

2013· article· fr· W1494647917 on OpenAlexvenueaboutno aff
Zoë Tousignant

Bibliographic record

VenueRevue de Bibliothèque et Archives nationales du Québec · 2013
Typearticle
Languagefr
FieldArts and Humanities
TopicVisual Culture and Art Theory
Canadian institutionsnot available
Fundersnot available
KeywordsArtHumanitiesArt history

Abstract

fetched live from OpenAlex

Pour faire de riches découvertes sur l’histoire de la photographie québécoise, l’étude des magazines illustrés représente une avenue prometteuse. Elle a beaucoup à nous apprendre sur le type de photographies qui étaient non seulement produites, mais vues au quotidien par un très vaste public. Au début du xx e siècle, le magazine à grand tirage constitue l’un des principaux modes de diffusion de la photographie. La société montréalaise Poirier, Bessette & Cie, qui publie La Revue populaire et Le Samedi, deux périodiques de ce type, exploitera ce genre de façon intensive. Les photographes qui ont grandement contribué à l’émergence d’une esthétique de la modernité au Québec en publiant dans ces revues sont Paul-Marc [Mark] Auger, Henri Paul et Conrad Poirier. Dans le cas d’Auger, La Revue populaire et Le Samedi offrent une occasion de prendre conscience d’une production photographique saisissante. Dans le cas de Paul et de Poirier, ces revues permettent de replacer leur oeuvre en contexte, de voir comment leurs images étaient utilisées et comment elles étaient regardées par un public pour qui la photographie faisait partie du quotidien.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.825
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.000
Science and technology studies0.0010.001
Scholarly communication0.0010.001
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.247
Teacher spread0.233 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2013
Admission routes2
Has abstractyes

Explore more

Same venueRevue de Bibliothèque et Archives nationales du QuébecSame topicVisual Culture and Art TheoryFrench-language works237,207