Historiografia do cinema canadense: balanço inicial * Historiography of Canadian cinema: starting survey
Bibliographic record
Abstract
Resumo: O presente artigo apresenta os principais e mais referenciados estudiosos canadenses que se dedicaram ao estudo das elaborações audiovisuais do Canadá. Narra os percursos dessa historiografia e indica os principais eixos interpretativos utilizados para a análise de uma filmografia que perpassa mais de um século de intensa produção. Esses textos indicam uma diversidade de perspectivas, porém, apresentam um fio condutor comum que aloca esses trabalhos na envergadura do pensamento acerca da identidade canadense. Inferir a respeito da possibilidade/impossibilidade do conceito de nação nesse país é um elemento constituinte desses textos. Dessa forma, este artigo perscruta os meios e métodos utilizados nessas bibliografias para responder aos intermitentes dilemas da identidade nacional no cinema produzido no Canadá. Palavras-chave: Historiografia – Cinema – Canadá. Abstract: This paper presents the leading and most referenced Canadian scholars who have devoted themselves to the study of cinema production in Canada. It lists the movements of such historiography and point out the main interpretative axes used for the analysis of a filmography that pervades more than a century of powerful production. These several texts show a variety of perspectives; however, they have a common thread that allocates these works in the current of thought on the Canadian identity. To infer about the possibility/impossibility of the concept of nation in this country is a constitutive component of these texts. Therefore, this article aims to scrutinize the proceedings and methods used in these bibliographies to answer to the intermittent dilemmas of national identity in the cinema produced in Canada. Keywords: Historiography – Cinema – Canada.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.006 | 0.012 |
| Science and technology studies | 0.008 | 0.002 |
| Scholarly communication | 0.005 | 0.001 |
| Open science | 0.001 | 0.001 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.020 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".