Bibliographic record
Abstract
Morgan O'Hara was born in Los Angeles, grew up in Japan, earned a Master's Degree in Art from California State University at Los Angeles, and had her first solo exhibition in the Musée Cantonal des Beaux Arts in Lausanne, Switzerland in 1978. She began working internationally in performance art festivals in 1989, did her first site specific wall drawings at De Fabriek in Eindhoven, The Netherlands, and began the practice of the Japanese martial art, aikido, all in the same year. She teaches master classes in drawing and the psychology of creativity in art academies in the US, Europe and Asia. O'Hara has done many international residencies including two sessions at the MacDowell Colony in New Hampshire. She is recipient of grants from the Pollock-Krasner Foundation, the Gottleib Foundation, the Foundation for Contemporary Arts, the Leon Levy Foundation, the David and Rosamond Putnam Travel Fund and the Milton and Sally Avery Foundation. Her work is in the permanent collections of many institutions, including: Arkansas Art Center, Little Rock, Arkansas; Czech National Gallery, Prague; Hammer Museum, Los Angeles, California; Hood Museum of Art - Dartmouth College, New Hampshire; the Moravian Gallery, Wannieck Gallery and the Janacek Museum, all in Brno, Czech Republic; Macau Art Museum, Macau, China, National Gallery of Art, Washington, D.C., Olomouc Museum of Art, Czech Republic, Stedelijk Museum, Amsterdam, Vrije Universiteit OZW, Amsterdam, The Netherlands, Wannieck Gallery, Brno, Czech Republic, Weatherspoon Gallery, Greensboro, North Carolina. Her permanent site specific wall drawings can be found in the Macau Art Museum, Macau, China; The Canadian Academy, Kobe, Japan and the Free University OZW Building, Amsterdam, The Netherlands. O'Hara lived in Europe for 25 years (Berlin and Paris, Italy for 21). O'Hara became a member of the Elizabeth Foundation in 2010.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.002 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.012 | 0.019 |
| Science and technology studies | 0.003 | 0.001 |
| Scholarly communication | 0.009 | 0.004 |
| Open science | 0.002 | 0.003 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.456 | 0.423 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".