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Record W151470493

The Chinese Piano Solo Ping Hu Qiu Yue (Autumn Moon over the Calm Lake): A Piano Solo Adapted by Chen Peixun/LE SOLO DE PIANO CHINOIS PING HU QIU YUE ( LA LUNE D'AUTOMNE AU-DESSUS DU LAC TRANQUILLE) : UN SOLO DE PIANO ADAPTE PAR CHEN PEIXUN

2010· article· fr· W151470493 on OpenAlexvenueno aff
Ren-ge Huang

Bibliographic record

VenueCross-cultural communication · 2010
Typearticle
Languagefr
FieldArts and Humanities
TopicDiverse Musicological Studies
Canadian institutionsnot available
Fundersnot available
KeywordsPianoPing (video games)ArtHumanitiesArt historyVisual artsComputer science
DOInot available

Abstract

fetched live from OpenAlex

Abstract: This thesis introduces the origin and culture source of the Chinese piano solo Ping Hu Qiu Yue (Autumn Moon over the Calm Lake). It analyzes the beauty and charm brought by this solo, compares the differences between Chinese traditional music and western music. It also supplies the detailed requirements in playing this piano solo, hoping to help piano students and teachers. Key words: Ping Hu Qiu Yue; beauty and charm; Chinese traditional music; requirements Resume: Cette these presente l'origine et la source culturelle du solo de piano chinois Ping Hu Qiu Yue (La lune d'automne au-dessus du lac tranquille). Elle analyse la beaute et le charme apportee par ce solo, en comparant les differences entre la musique traditionnelle chinoise et la musique occidentale. Elle fournit egalement des exigences detaillees en jouant ce solo de piano, dans l'espoir d'aider les eleves de et des enseignants de piano. Mots-Cles: Ping Hu Qiu Yue; beaute et charme; musique chinoise traditionnelle; exigences People's music publishing house published the piano score five piano pieces in 1981. It was adapted according to the traditional Chinese composition. In its catalog, Ping Hu Qiu Yue is apiano piece adapted from yue qu by the famous composer Chen Peixun. According to the existing data, the so called yue qu was in fact the representative work of a Guang Dong musician Mr. Lv Wencheng. It's also called Zui Tai Ping, which was very popular in the Guangdong opera. Beautiful lakes and autumn moon made people imagine. With the moonlight, all mountains, water and buildings were wearing veils, making here like a fairyland. In 1930s, Mr. Lv Wencheng traveled the West Lake in Hangzhou on the Mid-Autumn Festival. The beautiful scenery moved him. So he created the great piano piece to describe the beauty of West Lake. The lively melody of it expressed people's wish for good life and peace, and their love for nature. It's one of the best melodies among Chinese instrumental works. The musician mixed the folk music in Zhe Jiang province and the musical style of Guang Dong province, used gaohu as its main instrument, and used a lot of playing skills. Now it can be played by various instruments such as gaohu, dongxiao, dizi, guzheng, pipa, piano, erhu and so on.. In the 1970s, composer Chen Peixun transcribed this Cantonese operatic song into a piano solo. Though it borrowed a lot of traditional instrument (such as Gu zheng, Gao Hu and flute) playing techniques, its original form remained as our traditional music tone- five tones was frequently used. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.027
Threshold uncertainty score0.053

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0040.001
Scholarly communication0.0010.000
Open science0.0000.001
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0080.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.021
GPT teacher head0.265
Teacher spread0.244 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes1
Has abstractyes

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