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Record W1519178882 · doi:10.1080/01969722.2015.1038480

On Belief and the Making of All Things Beautiful and Sublime: Creation by Ordinance and Destruction by Chaos

2015· article· en· W1519178882 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueCybernetics & Systems · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicVisual Culture and Art Theory
Canadian institutionsNew York Institute of Technology
Fundersnot available
KeywordsBeautyAestheticsEpistemologySublimeOrder (exchange)SemioticsTasteStyle (visual arts)Meaning (existential)SophisticationPhilosophySociologyArtLiteraturePsychology

Abstract

fetched live from OpenAlex

This is a study of beauty as a construct and a property of structural composition. I examine alternate possibilities of structural compositions, linguistics, or material arguments that beauty, impossible in utter chaos, might not be definitely found in order, but the latter is essential thereto. A distinction is also made between complex systems of order found in nature, often qualified as organic—the seemingly free and flowing forms found in formal sophistication beyond simple geometrical reduction—and the absence of order as pure chaos. Beauty is examined through order from historical linguistic, perceptual, and systemic constructivist perspectives, along with the sublime and the harmonious. Linguistically, order is a term of convergence of the seemingly disparate streams of significance of rank—in society, religion, and the belief in collective constants—and ornament is a term of bearing beauty and enhancement of taste that emanates from within the structure and should not be reduced to superficial application. I cite costume, including accessories of weaponry, as moments of proximity between style, purpose, utility, and the collective as semiotic bearer of meaning in culture and social order.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.903
Threshold uncertainty score0.280

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.241
Teacher spread0.218 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it