Visions et représentations d’une Europe unifiée à la veille de la 1ere guerre mondiale, dans Jean-Christophe de Romain Rolland
Bibliographic record
Abstract
Résumé Écrit entre 1904 et 1912, ce roman de Romain Rolland présente la vision idéale d’un lien entre la France et l’Allemagne qui repose sur le dialogue et les échanges artistiques. Le lecteur voit la société française de l’époque à travers le regard d’un compositeur allemand forcé de quitter son pays et de s’exiler en France. Les tableaux successifs de l’Allemagne et de la France tendent à mettre l’accent sur les similarités entre les deux pays, au delà des différences politiques, sociales et culturelles. Le lien entre les deux pays qui se haïssent depuis 1870, est matérialisé par l’amitié entre le héros éponyme et un écrivain français, mais aussi par la figure du compositeur allemand elle-même : Jean-Christophe aspire à créer une symphonie qui célèbrerait la force de la civilisation européenne. En outre, grâce à son art et à sa conception d’un rapport harmonieux entre l’homme et le monde, il restaure à différentes échelles les relations entre les personnages, entre les nations et les différentes idéologies. Ce roman offre une vision intéressante de l’histoire européenne et insiste sur l’absurdité des conflits qui ont mené à la Première Guerre mondiale. Il s’agit dans cet article de voir comment le genre du Künstlerroman, ou roman d’artiste, permet de critiquer la notion d’identité nationale. Mots clés : Unité, Europe, Création artistique, Amitié entre les peuples Abstract Written between 1904 and 1912, Romain Rolland’s novel presents an ideal vision of a link between France and Germany which relies on dialogue and artistic exchanges. The reader sees French society through the eyes of a German composer who is forced to leave his country and go to France. The successive depictions of Germany and France at the beginning of the 19th century tend to shed light on the similarities between the two countries, beyond the political, social and cultural differences. This link between the two countries, adversaries since 1870, acquires material form in the friendship between the German composer and the French writer Olivier, but moreover in the artist Jean-Christophe Krafft himself, who not only aims at creating a symphony which celebrates the strength of European civilization, but also restores to different degrees the relations between the characters, the nations, and different ideologies through his art and his conception of a harmonious connection between man and the universe. This novel offers an interesting vision of European history and of the succession of eras, and insists on the absurdity of the conflicts which led to World War I. This article aims to show how the genre of Künstlerroman, the artist’s novel, is used to critique the notion of national identity. Key words : Unity, Europe, Artistic creation, Friendship between peoples
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.006 | 0.009 |
| Scholarly communication | 0.008 | 0.004 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.006 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".