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Record W1530504783

The Reconstruction of a Cultural Identity: Nationalism, Gender, and Censorship in the Late Victorian Folksong Revival in England

2010· article· en· W1530504783 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueMUSICultures · 2010
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsAthabasca University
Fundersnot available
KeywordsCensorshipPeriod (music)NationalismHistoryIdentity (music)National identityCultural nationalismGender studiesSociologyLiteratureAestheticsArtLawPolitical sciencePolitics
DOInot available

Abstract

fetched live from OpenAlex

During the Late Victorian period the first folksong revival in England underwent a transformation: the scattered and isolated efforts of individual collectors were consolidated into a cultural movement that had a formal organization, the Folk-Song Society, and a publication, the Journal of the Folk-Song Society. This article contests Harker’s and Boyes’s claims that the Late Victorian and Edwardian collectors exploited the workers’ music, created a mythical “folk” living in imaginary villages, and published “fakesongs” rather than genuine items from oral tradition. Looking back on the period between 1878 and 1903 we can, with the benefit of hindsight, see the achievements, failings, and some of the unique characteristics of the Late Victorian phase of the revival. This article concentrates on five aspects of this early phase: the emergence of a cultural movement, the role of women in the movement, the concepts of folksong employed by the collectors, the idea of national identity as expressed through song, and the two related issues of censorship and authenticity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.948
Threshold uncertainty score0.927

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.239
Teacher spread0.205 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it